Showing posts with label Rejection. Show all posts
Showing posts with label Rejection. Show all posts

Wednesday, February 9, 2011

You are a Reject.




Ladies and gentlemen, you are a reject.

You've been rejected by agents and editors alike. Rejected by teachers, by pretty women/men in the bar, by friends and lovers and future friends and lovers.

You've been rejected because, quite frankly, you're just not good enough.

You're too fat. Too skinny. Too tall. Your story's too long. Too short. Your character's not active enough. They're too active. They need to switch genders. They're too cynical. They're too upbeat. They're not real. You're not real. Your story's just not "real" enough.

You pour your heart and soul onto the pages of your books. You spend years perfecting each chapter. You kiss it and send it off into the world, where some naiive intern stamps a big red NO on it and sends it back with coffee stains and four missing pages.

You're hurt. You're pissed. You want to seek revenge with flamethrowers and rabid ninja squirrels.

But you can't. Because you're a reject.

But things get better. You get an agent. Things are great! But they aren't. Because you've got to revise. But that can't damper your mood! You sit up tall, pound out revision after revision, synopsis after synopsis, draft after draft. And you hand it to them, all nice and shiny. You believe in it. Your agent believes in it. You believe in yourself.

But you can't forget: you're a reject. So it'll come back from editors with coffee stains and big red NOs.

It's not good enough. The writing's too dry. The writing's too plain. Your MC's obnoxious. They're not obnoxious enough. You need more action. You have too many fighting scenes. This doesn't work. It'll never work. It's unrealistic, stupid, moronic, anyone could've written this. It's dribble. It's not good enough.

You're not good enough.

Until you are. Because then you find true love. An editor! You're happy. Your agent's happy. Your editor's happy. Everybody shares cake and muffins and rainbow ponies because we all believed you could do it and you did it and yay! And then you revise. With new vigor. You write and rewrite and read and reread because it has to be perfect. Because you have to be perfect.

You're no longer a reject. Because you aren't. Because you made it.

Except you are, and you didn't. Your book's on the shelves and people love it, except for the people who don't. And they won't. They don't get it. They don't like your love interest. They hate your point. They don't agree with the subtext you never wrote. Your plot is perdictable. People are reviewing it on Amazon and your stars dwindle by the day.

You're a reject.

Except when you really make it. And this time it's real. You've got a movie deal! You're a bestseller! They're teaching your books in college classes! You're a legend! You wear turtlenecks and square glasses because you are an artist. You made it. You're accepted. Past lovers and friends are begging to have you back in their lives. Of course, you won't let them. Because now they are the rejects. Now they know how it feels.

Except you're still a reject.

Because the kids in those classes hate your book. They'd rather torch the pages than sell it back to the school. Literary snobs discuss the poor quality of your worldbuilding over wine. Nasty emails pile up in your mailbox from groups who think they're offended by your prose.

And you're a reject again, because you always were.

Except when you're not. Because maybe, you weren't. Maybe, even though things are hard, and you've got no mythical movie deal or snobby turtleneck or editor or agent and it's just you, the reject, sitting at your computer and counting your rejections as they pile and pile and never end. Maybe even though you're none of these things and all of these things, it's okay.

Because accept it: you're a reject. I'm a reject. We're all rejects. We're too skinny, too fat, too tall, too literary, too genre-y, too this, too that.

We're rejects. Rejected and rejected and rejected and rejected. And maybe that's okay.

Because you there, the reject, you'll pick up your socks. You'll look over your piles of NOs from those silly agents and interns and editors and you'll say "No" right back. You'll say, "This won't stop me. I'm THE Reject. I'm the ultimate Reject! I've been said no to in every language, every way, every font and gosh darn it, that's not going to stop me!"

So you put the rejections aside. You pin them on your walls because you are the Reject. These NOs are battle scars. They hurt and ache with old pain but you are the Reject, and this won't stop you.

So you'll rewrite your query and rewrite your book. You'll make your MC more active, more passive, more sarcastic, less edgy, more this, more that.

And it STILL won't satisfy them. And you'll write another book, and another, and another. And you'll get better, and you'll get more praise, and you'll get more rejections. And you might pass a landmark or two, and you'll keep pushing onwards. And it's hard, but it's okay, because you're always learning, always getting better, and each day is a new day. You're a new you. You're a new Reject.

Because no matter what you do, or see, or write, or taste, or look, or draw, or feel, or say, or scream, or smell, or fling, or dance, or cry, you'll always be the Reject.

And as long as you keep going, keep pushing on, you'll be okay.

Because it's when you stop. When you quit. When you surrender. When you GIVE UP, that you've rejected yourself.


Peace,

-Katie

Sunday, July 11, 2010

Rejection. Maybe. Sorta. Yes? No.

So, I recieved a rejection for a partial I had on for In The Eye of Death. Every author on submission knows that rejections should be taken with a grain of salt. After all, most agents don't give us good reasons for rejecting, even if they read a partial or full. Agents are too busy to give heavy critiques. I'm personally fine with that. As long as I don't get a form rejection on my full.

Well, I recieved my rejection today. Here it is:


Dear Katie,

I finished reading your chapters for IN THE EYES OF DEATH over the weekend. While I still really love your idea for this story, I was not able to connect with the writing. I do think you've created a likable and interesting character in Jonah, however, without a strong connection to the story, I would not be the best agent for this project.

Thank you again for the opportunity to read your work, and I wish you the best of luck in finding an agent who is right for you.

Best,

Super Star Agent


I can see some of you looking this over and saying to yourselves, "But this looks like a standard rejection letter. Great, but not for me."

And I'm not denying it's a pretty standard format. But the fact that this agent mentioned that she liked my MC made me exceedingly happy. Why? Because I suck at writing characters.

A great deal of my free time is spent trying to figure out how to write a goddamn character. I'm a plot writer, through and through. Betas are impressed with my ideas and my plots, but not so much my characters. Most of my partial/full rejects state that the agent couldn't connect with my MC.

"But Katie," I can hear you say, "It's still a rejection. Shouldn't you be a little bummed?"

Yeah. Rejection bites the big one, I'm not denying that. Once the high of realizing someone actually likes my MC wears off, I'll hit the chocolates. And even if it's small, and probably just a generic comment, I feel really good about this rejection. I'm allowed to be happy, even if I acknowledge that the agent just said that to make me feel better about the reject.

If there are any agents out there who happen to be passing through: I really appreciate the way you word your rejections. This one in particular made me really happy. Keep up the good work, guys!

Peace,

-Katie

Thursday, December 10, 2009

Let's talk about Rejection.

Several agents tell writers not to give advice about queries. Though writers do write about a million queries in their writing careers, they're not the ones reading them day in and day out. The agents know what's best when it comes to queries, and when in doubt, research your agent. Odds are they have a blog, and if they have a blog, then they will have mentioned queries. Some good resources are Nathan Brandsford, Queryshark, Absolutewrite, Kristin Nelson has some interesting client queries on her side pannel, and many more resources are availible, including Guide to Literary Agents which has a lovely few chapters devoted to query writing, and of course many more places to find answers for all your query questions.

There is no need for me to explain how to write a good query. You can find that answer anywhere. Not to mention that since I don't have an agent yet, I'm not really one to tell anyone how its done.

However, as a writer, I think I can talk about rejection better than anyone else. I can't count the amount of writers that I've met that give up when rejection after rejection gets them down.

It's hard. There's no way around it. Publishing is HARD. Writing comes down to stubbornness. How many people do you know who say, "I'd love to start a book, but I don't have the time." or, "I've never been able to finish anything." Determination. Stubbornness. That's what it comes down to. You need that obnoxious stubbornness to finish the damn book, then you need it to edit the damn book and that tough skin to take the criticisms. And then you need to keep going through the querying process, all the ups and downs that come with it. It's stubbornness, baby, and maybe a little bit of luck.

People think I'm crazy. Everybody who knows me says, "Katie, you're too optimistic for your own good." I'm optimistic about pretty much everything. I've been through some hard times in my life, and I don't see the point in thinking about all the bad things that have happened when I could be looking at the good things.

Let me take you through the process of recieving a rejection: Whenever I recieve an email from an agent I've quieried, I get really nervous and excited. When I open the damn thing, I read through, hoping for a request, and when I see that it's a rejection, my heart sinks a little. Why wouldn't it? I take a moment to dwell, "Was it my query? The idea? Did something else set them off?" Then I add it to my saved folder collection and get excited. I honestly do.

You must be thinking: "Excited at a rejection? Katie, what's wrong with you?"

I know. I'm weird. And that doesn't work for most people. Some people can't be blindly optimistic. But if I have advice for those that do have trouble accepting rejection, then when you get that R, take a deep breath. Just sit at your computer, take a deep breath in, and think of something to make you happy. Then, remind yourself of the goal. Why are you going through all of this pain? Why, to get published!

Think of you name in print, in bookstores across the country, no, across the world! Think of getting emails from agents praising your work, from readers who you've touched. Imagine that fat roytalty check in your mail. Think of Steven Speilberg directing the film of your book. Imagine thousands of fans screaming in excitement when you leave your house.

Then tell yourself: I will get there.

That's all it takes. Reinforce yourself. Take a drink of wine, have some chocolate, watch your favorite movie, and tell yourself: this is just a setback. This agent will be kicking themselves when my name is in lights. After you've recovered the shock of having your baby rejected, (And such brilliance it is, too!) get out there and send off some more queries! Or revise your query! Or take another look at your ms.

But when it comes down to it: Never give up. Because dreams do come true. ;)

Peace,

-Katie