Book Review: The School of Good and Evil

Book Review: The School of Good and Evil by Soman Chainani

Goodreads Description: “The first kidnappings happened two hundred years before. Some years it was two boys taken, some years two girls, sometimes one of each. But if at first the choices seemed random, soon the pattern became clear. One was always beautiful and good, the child every parent wanted as their own. The other was homely and odd, an outcast from birth. An opposing pair, plucked from youth and spirited away.”

This year, best friends Sophie and Agatha are about to discover where all the lost children go: the fabled School for Good & Evil, where ordinary boys and girls are trained to be fairy tale heroes and villains. As the most beautiful girl in Gavaldon, Sophie has dreamed of being kidnapped into an enchanted world her whole life. With her pink dresses, glass slippers, and devotion to good deeds, she knows she’ll earn top marks at the School for Good and graduate a storybook princess. Meanwhile Agatha, with her shapeless black frocks, wicked pet cat, and dislike of nearly everyone, seems a natural fit for the School for Evil.

But when the two girls are swept into the Endless Woods, they find their fortunes reversed—Sophie’s dumped in the School for Evil to take Uglification, Death Curses, and Henchmen Training, while Agatha finds herself in the School For Good, thrust amongst handsome princes and fair maidens for classes in Princess Etiquette and Animal Communication.. But what if the mistake is actually the first clue to discovering who Sophie and Agatha really are…?

My Review: I was first attracted to the SCHOOL OF GOOD AND EVIL by its beautiful cover. I try to avoid judging based on cover, but I loved the artist's rendition of the characters and the schools. I'm a sucker for good artwork. From the first page I was swept off my feet by the lively and loveable characters. Right away I could see that Sophie was not the bleeding heart she said she was, and Agatha was more than a dreary, cemetery-bound spook. I loved that from the moment I met the characters, their truer nature shone through in their actions. Agatha and Sophie are so well constructed-- their motives are clear and fuel their every action. 

The thing that made me really love this book was Sophie. It's so rare that we get to see the evolution of a villain like we would a hero. Though I know I would hate Sophie in real life, her every action is justified in her own mind and she truly believes in what she is doing, which makes her an amazing villain. She is not evil for evil's sake, in her own mind, she isn't even a villain, which makes her one of my favourite characters. 

If you're not swayed by compelling, dynamic characters that evolve through their journey, then you will love this book's fairy tale world. The world is incredible, and each little detail brought the schools to life and made them just as much characters as Agatha or Sophie. Right down to the fairy tale punishments, I couldn't get enough of the world building. 

The book is definitely a stand alone, but at the same time the end leaves you aching for more. I could not recommend this book enough. It's perfect for your little princess or the fairy tale lover who never stopped slaying dragons and saving the world. The writing is complex enough for children and simple enough for adults. A win all across the board.

TL;DR: 5/5 Stars. A must read! 

Follow my reviews on Goodreads here! 

Why I Gave Up (And Why You Shouldn't)

I’ve put off writing this post for a while, not because I didn’t think there wasn’t value to it, but because I was afraid to come out and admit weakness. I wanted to explore why after so many years of working to get published, and after finding some success, my writing came to a dead halt.

When Shell came out of the woodwork, I had nothing but rave reviews from beta readers. Agents raved the same, and within 24 hours of being out in the querying world, I had offers. Publishers complimented my writing, world-building, and the book itself. So why didn’t anything happen? I made two vital mistakes that many others warned me about.

1)      This is a subjective business. I knew this going in, I knew it every step on the way, but for some reason I let it slip my mind that even the best written books cannot stand on their own. If you have a really amazing book, then you have to find the right agents and editors, who really love, love your book, you have to hit them at the right time, and they have to have the right market to sell it in. If all the cards don’t line up, then it doesn’t matter how amazing your book is, if you’re an unpublished author, the odds aren’t exactly in your favour.

The kind of rejection that I faced wasn’t usual for me. Up until this point in my career, each time I had been rejected, it had been a direct result of something in my writing, even if that had just been someone’s opinion. But here it felt as though I had done nothing wrong, got no real criticism at any point, and at the end, Shell was left to rot with everything else I had ever written. It is kind of shameful to say that I hit the wall after this point. I was just supposed to do it again, create another book, but the child in me was saying, “But I did it right. Why don’t I get my sticker?”

If there’s anything to learn from this, if my experience can help anyone else, it’s this: writing isn’t about filling in all the right holes, and sometimes it won’t work for no goddamn good reason. But you have to keep writing anyway. Because the alternative is to stop, and I can tell you that is a sucky feeling. When I realized not writing wasn’t what I wanted and returned to it all, I realize all quitting got me was a lot of wasted time.

2)      Don’t stop working because someone’s working for you. I knew that an agent didn’t mean easy street. That an editor didn’t mean easy street. And yet I still grew lazy after I got my agent, thinking I could focus all on writing now that I had someone else taking care of my professional career. And that is where I made a big mistake. This is my career. When I get published, it will be through my hard work and effort. When I gave up this power in my head, I really believe I failed my own book. I kept my ideas for pitching to myself, I kept a lot of my requests for certain publishers to myself, and it caused my book to suffer. If I had been more on top of things, realized my agent wasn’t putting in the enthusiasm I wanted, I would have pulled back, found a new agent, and might have actually made the sale. But I surrendered that power, and I will regret that. Shell may live one day in print, but it doesn’t today because I didn’t try hard enough.

I think many people realize that an agent doesn’t mean the end of work. An agent is just a person, and sometimes they don’t make the right decisions, or it isn’t the right match. Don’t rely on other people to pull your weight. And if you can take anything from this, it’s this: Work on your career as well as your writing. Know who you are querying. Understand what your agent is doing. Always, always, always put yourself in the driver’s seat.

I have returned to writing, obviously, and don’t regret my hiatus, as I accomplished a lot in other areas of my life. But what I do regret is all that missed time. I hope there is something useful here in my shame. Don’t let the professional side of writing overwhelm your passion. Write for writing’s sake. And for the love of all things literary, don’t forget that in this business, “no” just means “keep trying.” 

Cheers, 

-Katie

Cover Reveal: GATES

For a special treat, I have for you the cover for Laurie Lyons' next book, GATES! out May 24! Get your hands on this baby for sure! My review of her first book, Feather, will be coming soon, so keep an eye out for that.

A thin strand of ivy stretched on its own and reached down for his hand, entwining itself around his finger. Nathaniel twisted it in his fingers thoughtfully. 

“What am I going to do?” he whispered at the moon.  He looked at Lucy’s sleeping face again and then at the moon. “Save her,” he almost begged, “let it kill me but save her, if you can.” He gazed back at her, a pained smile twisted on his mouth. He leaned his head back against the pillow and let go of the ivy, watching it wind its way back up to the rafters. 

He didn’t sleep. This was not going to end well. 

In the second book of The Feather Trilogy, Lucy and Nathaniel have started their sophomore year at Mulbridge University. Everything seems perfect but a series of strange accidents leave them both wondering if something sinister is lurking. Is it just fate or is something evil after Lucy’s soul? Does Roman, recently returned from the depths of Hell, have anything to do with it? Nathaniel and Lucy struggle to find answers until all is terrifyingly revealed on the Winter Solstice in an ending that will leave you breathless. 

Gates is an exhilarating, exciting read that will keep you guessing until the very last page. 

The Feather Trilogy 

How far are you willing to go to save your true love’s soul? 

GATES will be released May 24 on Amazon.com, Amazon.ca and at Chapters in South Calgary Alberta Canada 

 

About the Author 

Laurie Lyons is the author of “Feather”, the first book in The Feather Trilogy with Ring of Fire Publishing and “The Heart Tree” short story with Little Bird Publishing House. 

Laurie wrote her first story at the age of 8 and hasn’t really stopped since. She lives in Calgary Alberta, Canada with her husband Trevor and their two clever children. She loves writing, reading and sharing her love of both with students during author presentations. “Gates” is the second of thousands of novels from her. 

Facebook: https://www.facebook.com/#!/FeatherbyLaurieLyons 

GoodReads: http://www.goodreads.com/book/show/17796440-gates 

Website: www.featherthenovel.com 

Publisher Website: www.ringoffirebooks.com  

Publisher E-mail: contact@ringoffirebooks.com

Book Review: Lucid

Lucid 

Written By: Adrienne Stoltz and Ron Bass

Review By: Katie C

2/5 Stars

What if you could dream your way into a different life? What if you could choose to live that life forever?

Sloane and Maggie have never met. Sloane is a straight-A student with a big and loving family. Maggie lives a glamorously independent life as an up-and-coming actress in New York. The two girls couldn't be more different--except for one thing. They share a secret that they can't tell a soul. At night, they dream that they're each other.

The deeper they're pulled into the promise of their own lives, the more their worlds begin to blur dangerously together. Before long, Sloane and Maggie can no longer tell which life is real and which is just a dream. They realize that eventually they will have to choose one life to wake up to, or risk spiraling into insanity. But that means giving up one world, one love, and one self, forever.



Lucid angered me for a variety of reasons. Though the premise was interesting and the writing was smooth enough that I didn't end up putting it down, it never really grabbed my attention enough. The two stories were completely separate for most of the book, and only when the girls' worlds began to overlap did I finally get excited about the story. Unfortunately, it was too little too late.

The characters themselves weren't terrible, but I got the impression that not enough of them  made it onto the page. Sloane was a typical, high school-esque girl with very little defining qualities besides being meek and fawning over the hottest guy in school. Maggie, on the other hand, seemed like a bit of an easier character to sympathize with, although sometimes it felt as if I'd gone from reading a book about a 17-year-old to one about a 30-year-old. This was purposeful and handled pretty well, but it still threw me off in the beginning, when I wondered if Maggie would ever start showing her age.

As for the writing-- simple and easy to read, but unfortunately the writers relied too heavily on telling, rather than showing. Most of the scenes were filtered through the narration. Instead of showing the reader how a character reacts, often the MC will gloss over it and tell the gist of what was said. Due to this, the tension was lacking until the climax, but even then I felt the tension could have been drawn out throughout the entire story, instead of just throwing it all on you at the very end.

As for the overall story, it had its moments. It definitely focused more on the girls' love lives instead of the issue of their dreams. They're definitely passive about their situation, although they both fret over it constantly, neither really takes active steps to try and understand or solve the problem. Also, there was no force that drove the plot. The girls were simply expanding their lives to include boys, and all of a sudden that sends their delicate balance into chaos. It appeared like the writers were purposefully trying to be vague to let the readers draw their own conclusion, but it came across as weak and underdeveloped. The end also reminded me very much of Going Bovine by Libba Bray, only it wasn't handled as well.

All in all, I'd say this book is best for readers looking for a romance story with only a hint of paranormal. Those that enjoyed Twenty Boy Summer by Sarah Ockler or The Secret Year by Jennifer Hubbard might enjoy this. If you want a book that's more on the paranormal side, this one might not be for you.

Cheers,

-Katie

Writer Anxiety

As writers, I think we all share a tendency for anxiety. After all, if you want to be published, there's a lot of waiting you'll have to do. Waiting on beta readers, waiting on agents, waiting on editors, waiting, waiting, waiting. With waiting comes a lot of time to think, and that is where the anxiety comes in.

Anxiety can affect a person in many different ways. At my child services agency, I get a glimpse of how anxiety can play out. Sometimes it's with physical/verbal assault, withdrawing, screaming, pacing, destroying property, lashing out at people-- it's incredible how many reports I get about the kids doing INSANE things, and the only explanation the report offers is "This client suffers from anxiety issues."

Sure, we may not be jumping people in the street (and yet as I write this, I remember, a writer did this recently...) but anxiety does still affect us, and can cause us to act without thought.

For example, anxiety may cause us to:

--> Respond to an unsavory review (Always a bad idea, even if you're trying to be civil.)

--> Prod a agent/editor for a response (Not always a bad plan, but if you're nudging a week after they got your manuscript, they may think you're not as well-versed in the industry as you should be.)

--> Jump to conclusions. (This is a big one. Anxiety can eat away at your thoughts, until you think, "So-and-so MUST think this, because it's been so long/hasn't been long enough/ect" This can cause us to act impulsively, which may reflect badly on our professionalism.)

--> Vent. (Venting is a good thing, but there is a TIME and PLACE for everything. Venting to friends and family? Go for it. Venting about an agent on a public forum? NOT SMART.)

--> Lash out. (Sometimes we get it in our heads that these gatekeepers in our way just want to crush our dreams. NOT TRUE, but thoughts can worm their way in when we least want them to, and this may cause us to send a hurtful email. Also a major career killer. Industry professionals talk, remember that.)

Even good writers make mistakes, and it's never a bad thing to take care of your own well-being. There's no sense in being miserable, so here are some tips to combat those nasty voices in the back of your head:

--> Do something else. Distracting yourself is the best way to get your mind off publishing issues. Write something else, work on your next project, or spend some time away from the writing world. Go for a walk, build a birdhouse-- do something productive. You get nothing done by worrying.

--> Kill those thoughts. Anxious thoughts can leak in at any time. I've found the best way to handle them is to shut them down immediately. Whenever I start to think, "Why hasn't my agent responded yet?" or the like, I immediately sweep them from my mind and tell myself, "This is something I have no control over." And I change my train of thought. I can drive myself mad if I don't change my thought process.

--> Relaxation techniques. Sometimes that tension worms its way into your muscles. Take some time to de-stress. Enjoy a bath, write in your journal, do something you enjoy that will not add any stress or anxiety.  If you're kinder to your mental health, it's easier to get back into that writing flow later.

--> Process through your worries. If you have some fear you cannot shake, start at the beginning and work through logically. Don't try to catastrophize the worst situation. Work it through and reassure yourself that patience is the best option (or perhaps it is time for a nudge-- just make sure you never send an impulse email.)

--> Educate yourself. The more you know about the publishing process, the less stress you'll face. Learn about wait times, etiquette, and the things agents/editors expect from you. That way, when you face a tough situation, you know how to handle it and you'll deal with less stress and anxiety in the long run.

What are your ways of dealing with writer anxiety?

Happy writing!

Peace,

-Katie

Book Review: A Midsummer's Nightmare

Book Review: A Midsummer's Nightmare by Kody Keplinger

Whitley is looking forward to spending the summer before college at her dad's condo-- drinking, barbecuing  and some quality time with the father she only sees once a year. But when Whitley arrives, she meets the new fiance and her two perfect children-- one of whom she slept with the night of their graduation party. When she doesn't fit in with her father's new family, Whitley parties, and hard. She escapes through alcohol, but there's only so long she can run before reality catches up with her.

So, as you've probably seen on this blog once or twice, I LOVE Kody Keplinger's books, and this one does not disappoint. As usual, her characters are right on the ball. Whitley's loneliness bleeds through the pages, and every other character has something about them that brings out their humanity. From Bailey's incident at the party and Nathan's history, I come to love each of Keplinger's characters in a way I didn't think possible in a single book.

Speaking of characters, if you're a fan of Keplinger's THE DUFF, you'll notice some crossover characters (Wesley, Bianca and Harrison) as well as some crossover settings, (such as the Nest.) Not only did this make it so much more satisfying as a reader, but they were subtle connections that were not necessary to understand the main story.

The emotions in this book do run strong. There are scenes that include rape scenarios, the consequences of partying, cyber-bullying, rumors, boys-- Keplinger has perfectly summed up that feeling of intense loneliness many teenage girls face. It's hard not to connect with Whitley, because who hasn't felt as though everyone has failed them and the world is against them? The emotions and tension are timed just right in this book, and the subject matter (such as the rape incident and the cyber-bullying) were handled well, without slipping into melodramatic territory. We want reality, not a soap opera!

All in all, this book was spectacular  It was not a book I powered through, but something I put down (with my finger marking the page!) and had to take moments to just think. I love books like that, and its rare that I find one that hits the subject matter so on the head. If you're a fan of contemporary, or are searching out books for girl readers, A Midsummer's Nightmare could not be a better choice.

Overall: 4.5/5 Stars

So You Want to Write a Novel: Part One -- The Idea

So you want to write a novel: Part 1 – the Idea

I’ve come across dozens of people who, after I tell them I’m a writer, say to me, “I’ve always wanted to write a book.”

Why don’t you?

If you’ve somehow stumbled onto my blog, then you’ve made the conscious decision to start reading up on this marathon that you want to undertake. Because writing a book is a marathon that lasts a few weeks for some, and a few years for others. But how do you get started? I’m about to start writing a new book myself, so I thought I’d catalogue the step-by-step process, from idea to agent, to give some of you a glimpse into how the process works.

Disclaimer: This is my process. It’s different for every person. Do NOT feel pressured to conform to one way of writing. We all have to find our groove, this is only one option.

What do you need when you get that brilliant idea? How do you go from inspiration to chapter one? Honestly, this is the craziest part of the process for me. For several weeks beforehand, I go through a “musings” phase. This is when I absorb as much inspiration as possible, stretch my creative muscles and let my ideas take form in my subconscious. Often I need some time to sit back and think about everything before I even get started.

Once I’ve got all the Thinking done, I move onto writing some of this down in note form. Before I start a novel, there are some things I NEED to know. I’ve learned it’s far easier to plan, plan, plan than to go back and try and fix major plot issues later down the road. Some writers don’t like to do as much notes as I do—often they take an idea and just run with it. I do this too in some ways, but in order for me, personally, to take writing from a hobby to a profession, I need to stop saying to myself, “Ah, I’ll figure it out later” and start with, “Let’s deal with this now.”

Many things change from beginning to end, but before anything happens, I need to know The Bare Bones:

Characters:

 Main Character

è Who are they when they’re alone? Are they quiet? Easily bored? Extroverted? Introverted? Do they prefer a loud party or a quiet walk through the park?

è Who are they with people? How do they act around those they like? Those they hate?

è What motivates them? What do they want more than anything in the world?

è What makes them angry? What gets them depressed? What makes them want to give up?

è What is their biggest dream? Their biggest fear?

Once I’ve answered all these questions, I move on to secondary characters, a love interest, and antagonists. Planning out things like appearance, nationality, sexuality, ect., are just as important, but I find those very easy to plan out, so I try to focus on the things that aren’t always so obvious to me.

Note: Antagonists don’t necessarily have to be characters, but they must be well-thought out. Your antagonist is just as important as your protagonists, and must have wants and desires that are as believable as your MC’s.

Plot:

 Main Plot:

è What is the major problem at hand?

è Who/what stands against the MC? Why?

è How does your MC plan to fight back to achieve his/her goals?

Subplots:

Subplots can be a great thing, so long as they don’t overcrowd your story. I always tend to overdo it, so I try and plan out which subplots will play an active role.

à Decide on what kind of subplot you want. Is it a romance subplot? One of self-discovery? One related to the MC’s family/home life?

è Why is it in your book? Is it really necessary, or is it simply a darling you don’t want to kill?

è What does it add to your story?

Setting:

Your setting is, in a sense, its own character. It should receive just as much attention as the other components of your novel.

Basic:

è Where are you setting your story? Why?

è Does this setting have a connection to your characters/plot?

è How does your atmosphere reflect your story?

Worldbuilding:

è How does your world function? Even if you’re writing a contemporary novel, the town/city you set it in should have its own unique characteristics.

è Where do people get their food/water/medical supplies, ect?

è How does the landscape affect how the people live?

è What is unique to the world you’ve created?

è What beliefs/prejudice/myths are prominent in your culture?

Voice:

è What POV will you use? Is it 3^rd person, 1^st, or 2^nd? Do you have an omniscient narrator? How many narrators will you use? Is this in present or past tense? (Or perhaps future tense?) And of course—WHY?

è What tone will you use? How does your narrator affect your word choice, diction, style, ect?

è How will these decisions affect the story you’re trying to tell?

Research:

è What don’t I know that will better my story in some way or another?

è What things could I incorporate into my story? What is something I’ve been interested in that might work well with what I’ve already chosen to write about?

Anything else?

è Is there anything I want to plan out before I start writing? (Certain deaths, character traits, plot twists, ect?)

 

Once I've answered all these questions, and I feel I have a decent grasp on my idea, the characters and the world, I move onto the opening pages.

 

Oh joy. Those damn opening pages.

 

TBC...