Wednesday, September 28, 2022

Book Review: Magical Boy


Book Review: Magical Boy by The Kao

Goodreads Description: Although he was assigned female at birth, Max is your average trans man trying to get through high school as himself. But on top of classes, crushes, and coming out, Max's life is turned upside down when his mom reveals an eons old family secret: he's descended from a long line of Magical Girls tasked with defending humanity from a dark, ancient evil! With a sassy feline sidekick and loyal gang of friends by his side, can Max take on his destiny, save the world, and become the next Magical Boy? A hilarious and heartfelt riff on the magical girl genre made popular by teen manga series, Magical Boy is a one-of-a-kind fantasy series that comic readers of all ages will love.


My Review: This will be another review in my series of, "I don't usually review this genre, but..." Magical Boy is a beautifully drawn, full colour graphic novel with an anime inspired art style. The story originally debuted on the comic website Tapas, which is where I first stumbled upon it. I was thrilled to see it was picked up for print publication by Graphix, an imprint of Scholastic. This story holds a special place in my heart, so I'm thrilled for the opportunity to share my thoughts and help connect it to more readers. 

To begin, the art! This book is drop-dead gorgeous. The cover gives you a glimpse of what's in store, but the art inside takes it a step further, from small intimate panels to gorgeously detailed fight scenes that convey a tremendous sense of movement and action. The colours pop, backgrounds are detailed, the linework is clean, and the art blends an eastern and western comic style that is refreshingly original. Traditional anime/manga facial expressions and expressive reactions are mixed with a western action style of large, detailed panels and classic comic sound effects, like 'whoosh, pow, smack.' Unfortunately, the panels were originally drawn for a vertical setup on a webpage, where readers could scroll infinitely, so at times, the panel spacing on the page is cramped and the flow is disjointed. While the panels and speech bubbles are usually arranged in a way that takes your eye smoothly through the scene, some pages failed to achieve a flow and became messy and confusing. Even though I had already read the comic, I struggled on some pages to figure out in what order some panels and speech bubbles were supposed to be read. This confusion was overall minor and didn't take away from the story. 

As for the story, have you ever been bouncing around the internet and stumbled across a story prompt idea that you would die to see happen? Magical Boy is one of those. The world we live in is incredibly gendered, though many cis people fail to realize how deep the gendered expectations go, as many have never resisted or took issue with them. Magical girl stories are often hyper-feminine, and when you toss a transman into the mix, who is trying to assert his own masculinity through stereotypically masculine behaviours, you've got an excellent environment to play with and parody gendered expectations in western society. The magic that gives Max his feminine battle outfit also works as an excellent metaphor for cisnormative expectations - as he attempts to transition, the magic pushes Max towards a femme presentation, until he's able to assert his will and the magic adapts to an outfit that matches his identity. One major change I noticed from the online version was Max's deadname has been censored in dialogue, but left untouched if it's part of the background/scene. This sort of bothered me, as I felt it was silly to censor the name when the book tackles some of the realities of transitioning, which includes misgendering and deadnaming. I understand that the target audience, however, is younger and probably far more sensitive about seeing beloved characters misgendered than my old, jaded soul, so I can understand why the change was made. 

At times, the story can be a bit cheesy, but more in a wholesome way than overtly cringy. Then again, I do enjoy a nice helping of cheese now again, it keeps my soul from becoming too black and crispy. The story is mostly focused on Max, his transition, and trying to get his mom to accept and understand him, so some part of the narrative can fall a little flat. The villains were very one-dimensional, as if they were trying to hit every square on the Classic and Stereotypical Villain Bingo card, but as the fantasy is mere metaphorical dressing for the interpersonal drama, it didn't take away from the story that much. However, if the antagonists and magic system had more depth put into them, it could have reinforced the interpersonal themes and scaffolded this story up into something really cool. Max's friends also come across as a little one-dimensional, as they don't seem to have lives outside of Max and focus entirely on him and his issues. While this turns them into a wholesome cheerleading squad, it constricts the story into something small and simple, which has its own set of pros and cons. 

All in all, Magical Boy is an adorable, heartwarming, gorgeously drawn trans story that makes a great addition to any child's library. I can't wait to get my hands on volume 2, the finale, if only so I can flip through and admire all the beautiful artwork. 

TL;DR: 4/5 stars. A hyperbolic trans metaphor using the magical girl trope to highlight the absurdities of gender. 

Tuesday, September 6, 2022

Book Review: The Book Thief

 

Book Review: The Book Thief by Markus Zusak 

Goodreads Description: It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will be busier still.

By her brother's graveside, Liesel's life is changed when she picks up a single object, partially hidden in the snow. It is The Gravedigger's Handbook, left behind there by accident, and it is her first act of book thievery. So begins a love affair with books and words, as Liesel, with the help of her accordian-playing foster father, learns to read. Soon she is stealing books from Nazi book-burnings, the mayor's wife's library, wherever there are books to be found.

But these are dangerous times. When Liesel's foster family hides a Jew in their basement, Liesel's world is both opened up, and closed down.


My Review: There will be mild spoilers for Max's arc in this review. 

I have... many conflicting feelings about this book. The one I can't shake is this work is problematic AS HELL. It reminds me of the politically correct mentality that was in its relative infancy in the mid 2000s, when our understanding of feminism was 'girl power' marketed by men, when allyship was enveloped by white saviour mentalities, when minorities were fetishized for their pain and their stories commodified by privileged folk. 

I mean, we still have all that going on, but at least we're somewhat more aware of it happening these days.

Before we dig our digits in the dirt, let's take a walk on the brighter side and focus on the book's positives. The Book Thief's use of language is gorgeous and evocative, its diction thick with richness and flavour that oozes off the page. Death's preoccupation with colour lends an extra edge to emotional scenes as colour is used as metaphor for individuals and feelings, as well as pathetic fallacy. Because of this, the colour descriptions infuse deep emotionality into the mundane, which reinforces the hollowness of experiencing an apocalyptic moment in history while you still have to buy milk and go to work. Zusak also uses creative verbs and descriptors to imbue life into his scenes, from "the sound of the turning page carved them in half" to "the conversation of bullets." While some of his descriptions  could be considered flowery, it's kept to a minimum so it doesn't drag down the pacing. A lot of careful thought was placed into the use of words throughout, both as a theme and a practical application. 

I wish the book's beautiful language could carry it alone, yet some of that early 00s thinking held it back from what it could have been. As my creative writing teacher would say, death is a source of instant drama that immediately cranks up the tension and intensity of the story, and when your novel is narrated by Death himself, taking place in one of the most genocidal periods in modern history, you're responsible for depicting the nuance of all that drama. Zusak juggles a boatload of suffering, death, grief, hope, and resiliency in The Book Thief, but centers the narrative around the day-to-day life of the Germans. By focusing on the German perspective, Zusak inserts a lot of domestic normalcy that readers can relate to, and contrasts it against the most dramatic and harrowing events in modern memory. 

I understand that focusing specifically on the Jewish experience -- hiding, life in the ghettos, or surviving concentration camps-- would make it harder for average readers to relate. I also understand the appeal to feature a story about the Germans who resisted, as that's a narrative with a lot of potential that isn't usually addressed when talking about WW2. The problem comes in when understanding that the story of the Holocaust, which this and most WW2 stories center back on, is a Jewish story to tell. Jews were dehumanized and their stories were de-emphasized so much that it took decades to re-center the narrative back onto the Jewish experience. At the time this book was written, white saviour mentality was still ripe in mainstream culture i.e., white people pleading the case for what black Africans needed, Indigenous history taught by and through the perspective of white people, etc. The Book Thief manages the major missteps of any white saviour narrative: focusing the story away from the marginalized minority and onto the privileged majority, while also objectifying the minority characters and fetishizing their pain in order to prop up the virtues of the privileged group. While I think a story that looks at the Germans who resisted Nazi ideology can be good, that's not what this book is about. It's about Max's suffering and how good Lisel's family is for caring about his well-being, instead of focusing on what a life of resistance would really look like. Where are the narratives about Sophie Scholl and her resistance efforts? Books that seek to tell the stories of Germans who resisted should focus on that experience, and not the suffering of Jews. The closest the Book Thief gets to depicting what it would be like living two lives was the scene where Hans smacks Liesel for speaking out against the Nazis, and yet this scene is undermined by the threat that Max may be discovered if they do not behave like proper Nazis, bringing the focus again back onto Jewish suffering. 

Before starting the book, I knew that Max, a Jewish man, comes to live in Liesel's basement, as it's part of the back cover blurb, but I was surprised how little the story featured his perspective or gave him any opportunities to demonstrate autonomy. While there are some scenes from his perspective when he lives with Lisel's family, they focus on his suffering with brief moments of joy thrown in to enhance the drama of his pain later. He has dreams about boxing Hitler and laments about being a burden, but again these only highlight his helplessness and misery. Even when he eventually leaves Liesel's house, we don't see how he survives on his own - instead we are left in the dark until it's revealed he was picked up by the Nazis and taken to a concentration camp. He becomes a lamp in the narrative after he leaves the house, as once Liesel sees him marching with Jewish prisoners through the city to the concentration camp, he's merely an object for her to demonstrate her virtue around. There were plenty of opportunities to give him some autonomy over his circumstance - show his wit, resilience, and ingenuity as he's surviving on his own - and it might have mitigated some of the narrative's exploitative feel. I understand this may have taken away from the day-to-day mundane perspective that Zusak was going for, to which I will argue: then Max should have been removed from the story. At the very least, it may have lessened the blow since seeing Max the Sympathy Lamp up close only highlighted how the narrative sidelined Jewish voices in a story about a major event in Jewish history. 

It's been a couple weeks between finishing the book and writing this review, and in that time my feelings on the book have only soured. Despite its critical acclaim, the book's attempts at allyship have aged considerably in the 17 years since it was published. Instead of diving into the psychology and real experience of Germans resisting Nazi rule, Zusak took the lazy way and focused on the suffering of a marginalized group to squeeze out easy drama for his narrative. 

TL;DR: 3/5 stars. Sideling Jewish voices in a Holocaust narrative? Bold move, Captain. 

Sunday, September 4, 2022

Sneak Peak: The Man or the Monster

Today, I've got a sneak peak at Aamna Qureshi's THE MAN OR THE MONSTER, provided by Rockstar Book Tours. This is the sequel to Qureshi's THE LADY OR THE LION, and features the continuation of Durkhanai's epic fantasy tale. 

 

About The Book:

Title: THE MAN OR THE MONSTER (The Marghazar Trials #2)

Author: Aamna Qureshi

Pub. Date: August 30, 2022

Publisher: CamCat Books

Formats: Hardcover, Paperback, eBook, Audiobook

Pages: 320

Find it: GoodreadsAmazon, Kindle, Audible, B&NiBooks, KoboTBD, Bookshop.org

Order a signed copy directly from Aamna!

She made her decision. Now she has to live with it.

Durkhanai Miangul sealed her lover’s fate when she sent him through a door where either a lady or a lion awaited him. But her decision was only the beginning of her troubles. Durkhanai worries that she might not be the queen her people need or deserve when conflict threatens her kingdom.

Her presumed-dead father comes back with a vengeance and wishes she join him in his cause. But her family’s denial of his revenge forces Durkhanai to take matters into her own hands and she must decide whether to follow the traditions of her forefathers or forge a new path on her own.

Excerpt from THE MAN OR THE MONSTER: 

Weeks passed. No one came to visit her, and she stopped waiting. As the weather around her chilled, she felt her heart frosting over. Faintly, she felt she had rid her system of him. Perhaps she would never feel a thing again.

But then, he came to her, while she was curled up in bed, crying. 

She didn’t know how he came to be there, just that one moment she was pushing tears back into her eyes, and the next there was a body beside hers. She didn’t need to open her eyes to know that it was him.

“Come, sit up,” he coaxed, and she did as she was told. He kneaded the tension from her shoulders with the hard curves of his palms.

“What worries you?” he asked. She sighed in response.

“I can’t bear it anymore.”

“You can,” he told her. “And you will.”

She turned to look at him and instantly fell into a hug against his chest. She was safe.

They stayed like that for some time. She strained her ear in search of his heartbeat. But he was calm. Sure. Solid.

She pulled back, looked up at him. Gently, his fingers cupped her face like wine—he tipped her chin forward to drink, but paused at the last whisper before skin met skin.

He waited.

And so, soft as sin, she pressed her warm lips against his. He tasted like a thousand stars bursting in her mouth. His fingers murmured across her skin, cold as ice, but everywhere he touched her felt like fire.

She kissed his cold cheek. He tasted like winter: pine-needle and frost, everything that freezes your nose but warms your soul. She was inexplicably warm and closed her eyes in comfort.

Instinctively, she reached for his lips once more—only to find they were not there. He was gone.


When she awoke from the dream, she felt unaligned. As though her soul had been roughly shoved back into her body. She was paralyzed, as she was when she awoke from nightmares, her body frozen with fear—yet this was the opposite, for when she awoke, her reality was the nightmare.

Slowly, the ice burned away. The pain was sudden and swift, knocking the breath from her lungs. Durkhanai began to cry. She loved him. The realization struck her.

She loved him. 

And there was nothing to be done.


 

About Aamna Qureshi:

Aamna Qureshi is a Pakistani, Muslim American who adores words. She grew up in a very loud household, surrounded by English (for school), Urdu (for conversation), and Punjabi (for emotion). Through her writing, she wishes to inspire a love for the beautiful country and rich culture that informed much of her identity. When she's not writing, she loves to travel to new places where she can explore different cultures or to Pakistan where she can revitalize her roots. She also loves baking complicated desserts, drinking fancy teas and coffees, watching sappy rom-coms, and going for walks about the estate (her backyard). She currently lives in New York. Look for her on IG @aamna_qureshi and Twitter @aamnaqureshi_ and at her website aamnaqureshi.com

Website | Twitter | Instagram | Goodreads | Amazon | BookBub

 


Giveaway Details:

1 winner will receive a finished copy of THE MAN OR THE MONSTER, US Only.

Ends September 20th, midnight EST.

a Rafflecopter giveaway

Tour Schedule:

Week One:

8/22/2022

BookHounds YA

Guest Post/IG Post

8/23/2022

A Dream Within A Dream

GuestPost

8/24/2022

Sadie's Spotlight

Excerpt/IG Post

8/25/2022

Lisa-Queen of Random

Excerpt/IG Post

8/26/2022

Ya Books Central

Guest Post/IG Post

8/27/2022

Author Z. Knight’s Guild

Excerpt

Week Two:

8/28/2022

The Erudite Labyrinth

Review

8/29/2022

Epic Book Society

Review/IG Post

8/30/2022

Books and Kats

Excerpt

8/31/2022

Fire and Ice

Review

9/1/2022

@allyluvsbooksalatte

IG Spotlight

9/2/2022

Writer of Wrongs

Excerpt

9/3/2022

The Reading Life

Review/IG Post

Week Three:

9/4/2022

The Underground

Excerpt 

9/5/2022

Rajiv's Reviews

Review/IG Post

9/6/2022

@jodieangell_author

IG Review

9/7/2022

Laurenreads._

Review/IG Post

9/8/2022

@meetcuteromancebooks

IG Review

9/9/2022

Locks, Hooks and Books

Review

9/10/2022

Nagma | TakeALookAtMyBookshelf

IG Review

Week Four:

9/11/2022

One More Exclamation

Review/IG Post

9/12/2022

Book-Keeping

Review/IG Post

9/13/2022

@jacleomik33

IG Review

9/14/2022

The Momma Spot

Review/IG Post

9/15/2022

More Books Please blog

Review/IG Post

9/16/2022

GryffindorBookishNerd

IG Review

9/17/2022

@jypsylynn

IG Review