Showing posts with label #ownvoices. Show all posts
Showing posts with label #ownvoices. Show all posts

Wednesday, May 25, 2022

Identity Policing, Forced Outings, and my Thoughts on Coming Out in Publishing


Growing up as a queer kid in the 90s/00s in Canadian conservative country was, at the best of times, an incredibly isolating experience. There were no Gay Straight Alliances in my schools, many of my peers stayed in the closet longer for fear of rejection, and the bigoted jokes that played on loop across mainstream TV left the impression that I was a queer island in a sea of heteronormativity - separated from kin by thousands of miles. The only thing that helped bridge the seemingly endless distance was fiction - the few published books I could find featuring LGBTQ+ characters, as well as the budding online communities where queer folks could freely gather and share their stories.

I lived in those online queer spaces, but I kept going back to the bookstore, seeking out titles that maybe, just maybe, featured someone who felt like me. Whether the book was excellent or terrible, I found myself flipping to the author bios, searching for some evidence that the author was queer. I was always skeptical, and a little disappointed, when the author appeared to be straight and cis, or there was no indication as to their orientation. It felt like a sort of appropriation, and I was desperate to find the raw authenticity of queer stories told through an author's queer perspective. 

So I get it. I get the queer fans calling for writers to come out. I get the editors and agents who are seeking the security of marginalized authors who write in their lanes. With a limited number of books that can be published in a year, everyone with stock in the game wants to ensure the author they’re betting on is a safe gamble. Everyone wants authenticity. They wants to know: who are you to write this story? 

But do they have a right to know? 

When I entered the world of publishing in the late 2000s, young, bright-eyed and bushy-quilled, the

concept of author brands was gaining traction. As social media took hold, many in the industry quickly recognized the value in an author's "personal brand” and began pushing authors to develop loyal fanbases that would follow them from book to book. Today, this expectation is thrust on authors more than ever. Even when it’s not written directly in contracts, there’s an expectation that authors do a fair amount of their own promotion through social media, turning them into quasi-influencers. 

Over the last ten years, there's also been a growing cultural acceptance of and expectation for LGBTQ+ representation in media. As more queer kids grow up seeking queer stories, publishers quickly realized there was more money to be made appealing to the interests of queerdos than burying any mention of LGBTQ+ characters or themes under vague back jacket blurbs. All of this, in turn, changed how editors and agents evaluated potential clients and acquisitions. Industry professionals began looking for writers whose potential (or already constructed) author brand would align with the target audience's value system, reinforcing a parasocial relationship that would boost sales. #OwnVoices launched with the intention of supporting marginalized creators and connecting fans to the authenticity they were seeking, but was quickly co-opted by industry professionals into a catch-all branding term that identified more "marketable" clients. Fan and writer communities also weaponized the hashtag against marginalized creators to scrutinize their identities, histories, as well as gatekeep communities. (If you want to read more, BitchMedia wrote articles on the pressures on queer authors and authors being forcefully outed by the industry. R29 also wrote on the effects of #OwnVoices on books.)

Despite the retirement of #OwnVoices, this pattern of identity policing shows no signs of slowing down. On the one hand, readers aren't wrong to ask what an author's relationship is to the community they choose to write about. Young readers may do this as they attempt to find the same safety and solidarity from within the book in the real world, so it makes sense they would start with the author of the escapist fantasy that has already comforted them. On the other, the expectation that some of the most sensitive parts of our identity must be integrated into an author brand so we may be "allowed" to publish stories about marginalized communities feels ridiculously authoritarian. Not only does #OwnVoices not guarantee authenticity or credibility (as two people with the same identity may have vastly different experiences and perspectives), but the enforcement of authenticity above all harms and chases away marginalized creators, while limiting an author's career. An author’s consent in disclosing their identity should be prioritized above all, and silence should not be assumed to mean they don’t belong. I do hope more authors reveal more of who they are for the sake of representation, especially for YA and MG authors whose audience are likely looking up to them as role models, but no one should be pressured to build their entire brand—or identity—around a single diversity trait. Maybe by policing author brands, we'll catch the occasional con artist who seeks to insert themselves into marginalized communities to profit off them, but we'll harm a far greater numbers of allies, closeted people, and marginalized creators in the process. 

Cat Tax

As much as the idea of turning yourself into a 'product' still makes me uncomfy as all hell, I've seen a lot of value from building a brand that centers on you. I tend to be a bit of an oxymoron when it comes to self-disclosure. I don't like to talk about myself, but I wear everything on my sleeve, no secrets here. When considering my own brand, both as an author and a freelancer in the industry, I had to seriously consider how much of myself I wanted to place on the internet for public consideration. How to balance privacy and minority representation. How much I wanted to build a community centered around my LGBTQ+ identity vs other aspects of my personhood. How much of my career history I wanted to sacrifice to preserve my privacy. 

Some identities are easy to hide. Some aren't. Some minorities can walk into a room and blend, while others have it literally written on their skin. Being trans lets me exist in a strange reality where I'm both. At a certain point, I will pass enough that most people won't be able to tell that I'm from a minority group. Other times, it is painfully impossible to hide, and I have to put my safety in the hands of strangers in public spaces, hoping my identity doesn't upset those around me. But my personal brand grants me an opportunity: I could delete my blog, let go of my contacts and twitter, and essentially start my brand and business from scratch. It would completely disconnect me from my old name, gender, etc., yet I'd also sacrifice over ten years of work just to keep this part of myself hidden, while also surrendering a chance to provide representation for other transgender individuals. 

When put like that, the answer felt simple. At least for me.

So, hi. I'm Kyle, a transman. Nice to meet you. Come in, take a seat. I’ve got cookies around here

somewhere. 

I've been coming out slowly, tactically, in each new environment, like a solider behind enemy lines, and finally I've come to storm the online trenches. For me, being open about who I am and the changes I’m going through grants me the space to be a more authentic writer, which is why I’m choosing to publicize this change and my thoughts with this blog post, instead of quietly changing over my name and hoping no one notices. During my rebranding, I seriously considered whether I wanted a trans pride flag in my new banner, an easy way for other trans people to recognize the solidarity and connect, if they wanted to. Yet I hesitated, and ultimately chose not to include any identifiers in banners or bios, other than the vague title of "queerdo.” I know I’ll talk about it quite freely, so it will by no means be a secret, but I don’t want to advertise myself based on that feature and build an expectation with my audience that LGBTQ+ rights are a main focus of my art. Cause they are and they aren’t, and I don’t want to pigeon-hole myself artistically or have to publish under multiple pen-names, each with their own authorial branding. 

While coming out in this way works for me, the expectations of author transparency need to change. That disclosure of identity should be treated with respect – as the gift that it is, instead of something we’re entitled to. To help let go of this entitlement, the reigns need to be loosened on who "owns" what stories, and we need to let go of this desperate grab for an imaginary supreme authenticity. I believe very strongly in research, authenticity readers, and seeking to elevate representation of minority groups, but that can be achieved through criticizing the work, not the person. Somehow, in our push for more diversity, we expect marginalized individuals to act more alike than ever: conforming to single narratives about what it means to be gay, lesbian, Indigenous, an immigrant, etc. and labelling others as "bad rep" for not assimilating their own experiences into the dominant narrative. Author consent and autonomy needs to be central if we want to reverse the assimilation trajectory and get back to, you know, actually supporting and celebrating diversity. 

As Alanis Morissette would say, "Isn't it ironic..." 

Monday, April 10, 2017

Book Review: The Hate U Give


Book Review: The Hate U Give by Angie Thomas

Goodreads Description: Sixteen-year-old Starr Carter moves between two worlds: the poor neighborhood where she lives and the fancy suburban prep school she attends. The uneasy balance between these worlds is shattered when Starr witnesses the fatal shooting of her childhood best friend Khalil at the hands of a police officer. Khalil was unarmed.

Soon afterward, his death is a national headline. Some are calling him a thug, maybe even a drug dealer and a gangbanger. Protesters are taking to the streets in Khalil's name. Some cops and the local drug lord try to intimidate Starr and her family. What everyone wants to know is: what really went down that night? And the only person alive who can answer that is Starr.

But what Starr does or does not say could upend her community. It could also endanger her life.


My Review: The Hate U Give is a once-in-a-lifetime book. It lives up to every bit of hype and has already wowed readers across North America. I remember way back to the Publisher's Marketplace announcement of this deal, and I thought to myself, "This one's going to be special." But this is more than just another good book. This is one of those cultural shakers. This is a book everyone needs to read. 

“I’ve seen it happen over and over again: a black person gets killed just for being black, and all hell breaks loose. I’ve Tweeted RIP hashtags, reblogged pictures on Tumblr, and signed every petition out there. I always said that if I saw it happen to somebody, I would have the loudest voice, making sure the world knew what went down.
Now I am that person, and I’m too afraid to speak.” 
-The Hate U Give

From the first page, we're immersed into Starr's world in Garden Heights. The author uses a perfect amount of description to set the scene, evoking all the senses to bring the reader into the moment. Starr's voice leaps off the page and brings the story up to another level. It is the perfect balance of slang and "accented" writing that not only reveals Starr's personality, but gives the book its own unique flavor. The book uses African American Vernacular English (AAVR) beautifully, and Starr even takes time to reflect on her use of it and how she switches to "proper English" at her white school in an attempt to avoid being seen as "hood." The writing doesn't waste time on flowery phrases, but hits hard with clever word play and to-the-point sincerity. The writing in this book just wraps you up from the first page and doesn't let go until the last. This book is also straight #ownvoices, as the author is black comes from a neighbourhood like Starr's. 

Writing aside, what makes this book so special is the story itself. It hits all the right notes, addresses all the right points, and explains things in a sincere way that helps to piece together the picture of black Americans and police violence. Even as something as simple as the feeling when a friend unfollows you on social media was explained with such an on-the-nose honesty. Not only does it address the varying sides of a complex issue, but it cuts straight to the point. It doesn't shy away from black on black violence. It's not a case of white-cops-vs-black-kids, as Starr's uncle is a cop and black cops take part in some sketchy and abuse-of-power situations. And it beautifully shows how situations can escalate into protests and riots, like what has taken place all over the United States. It also shows the white ignorance in several different forms, from the disconnect at Starr's school right up to some of her close friends, who simply just don't get it. This is not a biased look at the situation. It carefully analyzes all angles and presents a very nuanced look at the events that have launched #BlackLivesMatter. 

As I work in mental health services, I always look at books with an eye on mental health. THUG does an excellent job of portraying the post-traumatic stress that Starr experiences. She doesn't walk away from the shooting with just a few nightmares-- she cycles through the stages of grief, experiences anxiety that affects her day-to-day life, and copes with the difficult emotions that follow from grief and from the trial. Despite that, her trauma doesn't hold her back from speaking out for Khalil, and it shows why even the strongest people can be overwhelmed by traumatic events and may not react how they expect to in the moment. 

Yet under all the intense tackling of social issues, THUG is a heartfelt story of a girl caught between two worlds and the loving family that supports her through it all. I have a particular love of Starr's father, who is strong, outspoken, comes with a troubled past, and yet has such raw love for his family and community. Every character is beautifully balanced between good and bad traits, and the book plays around with themes of perception, not only in regards to Khalil and how the media portrays him, but how Starr portrays herself between her neighborhood and her school. The kids are so real and so fun that it really makes me sad to know they're only fiction. 

“Once upon a time there was a hazel-eyed boy with dimples. I called him Khalil. The world called him a thug.
He lived, but not nearly long enough, and for the rest of my life I'll remember how he died.
Fairy tale? No. But I'm not giving up on a better ending.” 
-The Hate U Give


I could talk about this book for days. If you read anything this year, this decade, or in your entire life, then make it this one. 

TL;DR: 5/5 stars. As John Green put it, "Stunning." 

Sunday, April 9, 2017

Book Review: The Girl From Everywhere


Book Review: The Girl From Everywhere by Heidi Heilig 


Goodreads Description: Nix has spent her entire life aboard her father’s ship, sailing across the centuries, across the world, across myth and imagination.

As long as her father has a map for it, he can sail to any time, any place, real or imagined: nineteenth-century China, the land from One Thousand and One Nights, a mythic version of Africa. Along the way they have found crewmates and friends, and even a disarming thief who could come to mean much more to Nix.

But the end to it all looms closer every day.

Her father is obsessed with obtaining the one map, 1868 Honolulu, that could take him back to his lost love, Nix’s mother. Even though getting it—and going there—could erase Nix’s very existence.

For the first time, Nix is entering unknown waters.

She could find herself, find her family, find her own fantastical ability, her own epic love.

Or she could disappear.


My Review: An island paradise, A ship that can touch any shore. And a map that may lead to Nix's undoing. The Girl From Everywhere is that exciting bit of magic and pirates that YA has desperately needed. 

I love pirates, I love time travel, I love diversity-- there was nothing this story was lacking. Right from the first page this book wastes no time in driving straight into tension, conflict, and action. After years of searching, Nix's father finally catches wind of a map of Honolulu from 1868. He's searched for years so he could save her mother, and this time the map looks real. Nix's inner conflict of helping her father, even if it could ultimately erase her from existence, is bold and powerful, sucking the reader in right from the first page. The pull of loyalty she feels towards her father outweighs her fear of the unknown and they sail for Hawaii-- only to discover their map has been mis-dated, and they arrive in 1884. This tension has a perfect pacing and doesn't let up until the very last page. 

The cast of characters is delightfully diverse, featuring a half-Chinese main character, a French-Arabic love interest from One Thousand and One Nights, and a black lesbian crewmate, just to start. The book is #ownvoices as the author herself is Chinese and grew up in Hawaii, where much of the book takes place. As well, the book is filled with myths from all over. We see Emperor Qin's stone soldiers come to life, to Hawaiian healing springs and the Hu'akai Po, Jewish golem magic, to the bottomless bag from Welsh legend. Instead of just throwing in characters of different backgrounds or orientation, The Girl From Everywhere embraces diversity in a way all YA books should take note of. It integrates legends and myth from a variety of cultures, and even highlights the diversity in our own history (Nix's mother is Chinese and came to work in the opium dens. Many Chinese immigrants came to Hawaii during this time). The book doesn't just toe the line of diversity, but shows us how it can really enrich writing and worldbuilding. 

Along with killer tension and delightful characters, the book has a wonderful plot that keeps things turning and readers guessing. Since this is a time-travel book, there is a lot of paradox-correcting that goes on. It's not nearly as much as some stories, but if you're one to nit-pick over time travel paradoxes, it will still give you things to pick at. But they are minor and handled well. The writing itself is pretty straight to the point and doesn't waste a lot of time with fancy descriptions. Yet it also has its lyrical moments in terms of prose. 

** Spoilers in the following paragraph** 
The only real issue I had with the book came down to its final chapter. The conflict and most of the tension revolves around Nix's father wanting the map back to her mother, despite the danger it may put Nix in. This conflict starts from page one and carries a lot of the emotional weight. But in the last chapter, when Slate, Nix's father, has the map he wants, he instead decides to throw it into the ocean. He has spent years, pretty much Nix's entire time alive, searching for this map, and on the last page he 'chooses' Nix and gives up the love of his life. Granted, he and Nix became closer on this mission, but there was nothing life changing or stunning that would justify his complete 180. Everything they struggled for during the book ended up being for naught. The characters did grow together through this journey, but there was nothing about this journey that stood out as being significant or more meaningful than their any other journey. I was left with a feeling of "Why now?" It reminded me of the cliched "It was all a dream" ending, where characters learn but ultimately none of the stakes have any real effect on the story. 


TL;DR: 4/5 stars. A stunning pirate fantasy adventure flush with diverse folklore and faces. 

Saturday, January 7, 2017

Reviews in Review 2016

e-books sadly not included. 
Another year, and another stack of incredible books! I'm a little late on this post, but better late than never. I think I was a little too eager to put 2016 behind me (aren't we all), but I got the chance to read some really awesome books and work with some incredible artists this year. I can't let the year slip away without a bit of reflection. As well as being a bit of my "Best Books of 2016," this list serves as another look at my reviews. Feelings can sometimes change on books; some that impacted me greatly while reading become hardly memorable, while something about a mediocre book could stick with me for months.

I made a goal of reading 25 books this year, same as last year. I made it much closer to my goal this year with 19 books, and so I'm setting my goal against for 25 in 2017. I'm confident that I'm going to make it this year, and not just because of short books. (Though I'm having deja vu of saying this last year, hah.)

I found it really hard to narrow down a list this year, which I suppose is a great sign. Without further adieu, let's get this rock show started!



Most Class
Life of Pi by Yann Martel 

Nothing classier than a classic. I figured I should get the obvious choice out of the way first. Life of Pi rocked my summer reading in a way only excellent literature does. For months after I found myself flipping through passages and looking up quotes, still enamored with the story and its storytelling. One of the main reasons why I loved this read so much was because I learned a lot about writing from it. Not only about tension and execution, but as an incredible in-depth character study. The reader gets to know Pi as intimately as themselves, and that's something I haven't seen done so well before or since.


Delightfully Different
The Migrant Report by Mohanalakshmi Rajakumar

I was offered a chance to read this book in exchange for a review, and I was so glad that I did. It's one of the books that sticks out most for me this year, if only because of the rich culture and characters. Though there was a large cast of POV characters for this novel, the author balanced it well and kept each character vivid and original. I was a little turned off by the sequel baiting, but months later I'm still delighted thinking back on the characters and all their interwoven problems. It is an #ownvoices book, as it is staged in the Arabian Gulf where the author lives and writes. My only real complaint comes back to wanting more from the book, yet it's one I often end up recommending, mostly because I feel like it is an awesome story that deserves the love. 


A Bad Aftertaste
The Outliers by Kimberly McCreight

I was probably a little too forgiving in my review of this book. Then again, it's probably just that the few good parts I enjoyed have faded from memory, leaving only the bad. I call this book a bad aftertaste as it perfectly describes the feeling I get when I think of it. The main character was such an unlikable jerk, the romance was highly unbelievable, the beginning fluctuated between a "telling" backstory and break-neck tension and pacing, and the end is a string of bad fantasy tropes, all disguised in a contemporary. The main character is the "chosen one," it ends on a cliffhanger of people hunting after them, along with the reveal that we've got super special powers. It almost felt like a bait and switch of a book-- painting itself to be a contemporary story about character and growth, instead turning into the epitome of urban fantasy cliches. 


Most Warm Fuzzies of the Year
Something in Between by Melissa de la Cruz

This book delighted me from beginning to end. Perhaps it was because I read it right after an especially dark book, but the tone and writing of Something in Between was so positive, so bubbly and fun that it really lightened my spirits. It is a bit of the quintessential love story, but focused on a Filipino family and their struggle of impending deportation. The book balanced the love story with an #ownvoices look at Unites States immigration. It tackled the issues with the seriousness they deserve, but kept the story hopeful and fun right up until the end. It was such a breath of fresh air to read. 


Best Let Down of the Year
Welcome to Night Vale by Joseph Fink and Jeffrey Cranor

Ah, Night Vale. After hearing about this book, I was so excited to immerse myself in the world of weird. A couple of my friends read it and encouraged me to pick it up, so I was fairly hyped up about what I was getting into. But after diving in, I found myself quickly bored of the strangeness without direction, and a plot hastily tied together at the end. There were tiny glimmering aspects of the book that I really fell in love with, which made the book even more of a let down to me. It may simply come down to personal preference, but I really felt like this book could have been so much more. It was the first book I read of the year and that disappointment still rings as strong as the day I finished it. 


Surprise Delight
Death of a Scratching Post by Jackson Dean Chase

I'm not usually one for cute coffee table books, but I picked up this poetry collection on a whim, mostly because I love cats. I was surprised and delighted by how much I fell in love with the author's prose. Yes, every poem was about a cat, but held a lot of passion and depth that I wasn't quite expecting. I really enjoyed the author's approach and even now I find myself flipping back to the poems and reading through. It's a short but sweet read and has stuck with me for longer than I expected. 




Honorary Mention: Holy Shit Technology
Between Worlds by Skip Brittenham

I felt like I couldn't go without mentioning this book. The story itself was pretty standard and didn't actually wow me-- it was the augmented reality app that did it. This is a middle grade book, and in an attempt to engage kids who might be a little too attached to their electronics, an app was constructed as a "how to" guide for all the creatures the main characters discover in the new world they're transported to. Using the phone's camera, the app projects a 3D creature standing on the book (think Pokemon Go). As you read through the book, the reader discovers more pages that show new creatures. I was impressed because I felt like the app helped to facilitate reading and encouraged the reader to get more into the story, instead of taking away from it with too many flashy add-ons.

Friday, December 2, 2016

Books That Fight Hate


The world can be a scary place sometimes.

No matter how loud hate shrieks, love is louder. No matter how much evil there is in the world, there is ten times the amount of goodness behind that.

Since the American election, there has been a lot of fear and anxiety. As a Canadian, the whole situation has left me feeling heartbroken and helpless. I want to march along the streets and #resist, but I know this isn't my battle to fight. Supporting those who are hurting is my duty as a human, however, and something I will gladly do. On Twitter after the election, Justina Ireland, author of Promise of Shadows and Vengeance Bound, started a hashtag on Twitter called #BooksFightHate to promote diverse books written by marginalized authors.

People have since jumped on board to tweet out their favorite books that not only promote diversity, but that fight prejudice. I absolutely love the idea, and while there are a lot of lists out there promoting #BooksFightHate, I wanted to take it one step forward to include a short bio with each title to help people find the books they really connect with.

Most of the recs below are YA, MG, and some adult in the fantasy/sci-fi range. As publishing is constantly moving towards diversity, there will be more titles to add to this list. So if you see something I've missed, make sure to comment below and I'll add it. There has never been a more important time to support and spread the love for marginalized authors.


Books That Fight Hate 

1. Something in Between by Melissa de la Cruz
Jasmine is an overachiever with her whole future ahead of her- until she discovers her family's visas expired years ago. Now not only are her college prospects in jeopardy, but her family could be deported if they're discovered. Featuring a Filipino MC and deals with immigrant struggles. 

2. The Absolutely True Story of a Part-Time Indian by Sherman Alexie 
Junior, a budding cartoonist, decides to take his destiny into his own hands as he leaves the reservation to attend school in an all-white community. Featuring a Native American MC, this book highlights the harsh reality for a lot of Natives living on reservations in North America, from Fetal Alcohol Spectrum and racism. 

3. Aristotle and Dante Discover the Secrets of the Universe by Benjamin Alire Saenz 
The story of friendship between Ari, who doesn't understand why he's so angry, and Dante, a quirky know-it-all. This is a coming of age story about friendship, family, and identity. Features a subtle, gay relationship between the two characters. 

4. The Hate U Give by Angie Thomas 
Starr balances life between the poor neighborhood she grew up in and the fancy prep school she attends. But when she witnesses her unarmed friend shot by police, her entire world becomes upended. Inspired by the Black Lives Matter movement. 

5. When I Was the Greatest by Jason Reynolds 
Ali has never been interested in the violence and drugs in his neighborhood, but his best friend, Noodles, is a ticking time bomb. Features a black MC and dealing with life in a rough neighborhood. 

6. A Wish After Midnight by Zetta Elliott
Genna lives in a drug-infested world of poverty, but she's planning an escape to a different life. Until the night she makes a wish and is transported back to Civil-era Brooklyn, where she has to fight through a time still rife with slavery. Features a black MC, and her boyfriend from Jamaica takes time to make Genna appreciate her black skin and curly hair, which is really lovely to see. 

7. Time Keeper by Tara Sim
Danny is a mechanic that fixes not only clocks, but time. After moving to a new town, he finds himself falling in love with his assigned apprentice-- who also happens to be the spirit of the tower's clock. Gay romance here. (I'm drooling over this one, not going to lie.) 

8. The Girl from Everywhere by Heidi Helig 
Nix spends her days traveling everywhere on her father's ship-- if they have a map of it, real or imagined, they can go there. But the one map her father wants more than anything-- the one that will lead him to his love and Nix's mom-- could threaten to erase her existence. Plethora of diversity here, from Nix being half-Chinese, to loads of ethnic culture, as well as LGBT characters. 

9. Written in the Stars by Aisha Saeed
When Naila breaks her family's rule by falling in love with a boy, they take her back to Pakistan to reacquaint her with her roots-- as well as to introduce her to the husband they have picked out for her. Featuring a Pakistani main character, this book focuses a lot on arranged and forced marriages and Pakistani culture. 

10. Tiger Moon by Antonia Michaelis
In this fantastical Indian fairy tale, Farhad, master of disguises, sets out on a journey with his talking tiger to rescue a princess from marrying a demon king. Rich with Indian culture and myths, this is a true treasure to read. 

11. Run by Kody Keplinger 
Bo is known for being a delinquent from a delinquent family. Agnes is legally blind and has never stepped farther than the end of her parents' leash. Together, they form an unbreakable friendship. So when Bo asks her to run, Agnes doesn't even question it. Featuring a blind MC and a bisexual MC (woo disability lit!) 

12. Gabi, A Girl In Pieces by Isabel Quintero 
Gabi's final year of high school will be epic, if she can survive her best friend coming out gay, her other best friend's pregnancy, rape, slut-shaming, and reconciling her "Mexicanness" with her "Whiteness." What can I say about this one? Mexican MC, LGBT, feminism, oh my!

13. Sorcerer to the Crown by Zen Cho 
In an alternate history of Britain, the sorcerer royal, Zacharias, ventures to the border of Fairyland to find out why the magic reserves are drying up. On his way he encounters a school for Gentlewitches, where young women have the magic stomped out of them, and meets Prunella, a young woman with a wealth of magical ability. In this book, Zacharias is a freed-slave turned sorcerer and faces a lot of issues with oppression and institutionalized racism. 

14. Not Your Sidekick by CB Lee
For Jess, the best way to spite her superhero parents was to take the internship with the local super villain. As a perk, she gets to work alongside her crush, who may just be hiding secrets of her own. Featuring a MC who is half-Chinese, half-Vietnamese, and doesn't feel accepted with either. Also: BISEXUAL REP!!

15. The Education of Margot Sanchez by Lilliam Rivera
Margot has spent years denying her culture and her family in order to fit in at her prep school. But after stealing her father's credit card, she's forced to work in her family's deli to work off the debt. Featuring a Latina MC. 

16. We Were Here by Matt de la Pena 
After it happened, Miguel was sent to juvi and then to a group home, which he was grateful for. It was better than living at home, where his mother couldn't even look at him. With a plan to head to Mexico, Miguel breaks out and runs for the border, hoping to start over. Featuring a Latino MC, and also deals with a lot of guilt, self-punishment, and hitting rock bottom. It's also nice to get a glimpse of the social services systems. 

17. When The Moon Was Ours by Anna-Marie McLemore 
Sam and Miel are best friends and as odd as they come. Roses grow from Miel's wrists while Sam paints moons in the trees. A group of witches sets their sites on the roses growing from Miel's wrist, believing their scent can make anyone fall in love, and intend to use Sam's secrets to get them. Featuring: Latina and Italian-Pakistani MCs, also, TRANS REP! 

18. The Memory of Light by Francisco X Stork
After a suicide attempt lands her in the hospital, Vicky finds her strength through the other kids she meets in the psych ward. But when a crisis splits them up and Vicky must return back to the situation that made her suicidal, she has to find her own source of strength. This novel is all about mental health representation, and does an excellent job of shining a light down the dark hallway of depression. 

19. The Grace of Kings by Ken Liu
Two rebels become friends during the overthrowing of a tyranny. But after the dust settles, they find themselves leaders of opposite factions with very different ideals of how the world should be run. Features a lot of Asian and Middle Eastern mythologies with a culture built on Ancient China. 

20. Juliet Takes a Breath by Gabby Rivera 
After coming out to her mother, who she is sure will never talk to her again, Juliet leaves the Bronx to spend a summer in Portland interning under her favorite feminist author. Featuring a Puerto Rican lesbian MC, and lots of feminist goodness. 

21. God Help the Child by Toni Morrison
Bride's blue-black skin was the reason her light-skinned mother denied her any love, but it doesn't stop her from finding love, success, and confidence. This novel focuses a lot on racism, but also features a survivor of child sexual abuse and shows how it affects their life. 

22. Under the Udala Trees by Chinelo Okaparanta
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Inspired by Nigerian folktales and war, Ijeoma, a young Nigerian child, is sent away to escape the civil war where she meets a girl from another ethnic community. The pair quickly fall in love, but must hide their relationship if they hope to survive. Features a lesbian romance, feminism, African characters, as well as looks at religion and homosexuality.

23. The Sun is Also a Star by Nicola Yoon
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Natasha meets Daniel the day before her family was going to be deported to Jamaica. But one day is all it takes to find love. Features a Jamaican and Asian MC, as well as tackles issues of deportation and displacement.

24. Lies We Tell Ourselves by Robin Talley 
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In 1959, Sarah is one of the first black students to attend an all-white Jefferson High. Linda is the daughter of the town's most vocal opponents to school integration. Lesbian couples! Mixed race relationship! Plus heavy on racism and segregation.

25. Fat Kid Rules the World by KL Going 
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Troy, an obese teenager, befriends Curt McCrae, local punk star and homeless drug addict. Together, their friendship ends up saving them both in ways they didn't know they needed. This book is definite on the fat acceptance.

26. Shadowshaper by Daniel Jose Older 

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After a zombie crashes her friend's party, Sierra learns she's part of a community of shadowshapers-- those that connect with spirits through paintings, music, and storytelling. Featuring an Afro-Latina MC with Caribbean-based folklore. Also features a very diverse cast including LGBT characters.

27. Simon and the Homo Sapiens Agenda by Becky Albertalli 
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When an email falls into the wrong hands, Simon finds himself as wingman to the class clown Martin, under threat that his secret will be exposed. Or worse, the pen name of the boy he's been flirting with over email could be compromised. Featuring a gay romance, black love interest.

28. Dumplin' by Julie Murphy 
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Self-proclaimed fat girl Willow has always been comfortable with her size, until the day she starts a relationship with a handsome jock, and she begins to doubt herself. To regain her confidence, she enters the city's beauty pageant to prove she deserves to be up there as much as any other girl. Features a lot of fat positivity.

29. More Happy Than Not by Adam Silvera
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After his father's suicide, Aaron struggles to find happiness again with the help of his girlfriend and hard-working mom. But when a new guy enters the picture, who makes Aaron feel things he never thought possible, he considers following through with a memory-altering procedure to fix himself. Features suicide, depression, mental health, and deals with homophobia. 

30. Americanah by Chimamanda Ngozi Adichie 
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Ifemelu and Obinze are teenagers living in Nigeria under a military dictatorship. While Ifemelu managed to immigrate to America, post 9/11 politics prevents Obinze from following. After years, they find themselves reunited in their homeland and their love, and come to face the toughest decisions of their lives. Featuring Nigerian MCs, written by a Nigerian author, and tackles a lot of race issues.

31. Santa Meurte by Cynthia Pelayo
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Life is quiet for Ariana until her father, a federal investigator from Mexico targeting criminal organizations, arrives on her doorstep. After he's involved in a car accident, Ariana begins seeing a veiled skeletal figure asking for her father. Featuring a Latina MC and plenty of Mexican folklore.

32. Lailah's Lunchbox by Reem Faruqi 
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The adorable story of Lailah, a 10-year-old Muslim who is very excited to join her family in her first Ramadan. She just needs to figure out how to explain it to her non-Muslim classmates. Such a cute story featuring a Muslim MC and discusses Islam and Ramadan. This is a picture book, but worth the read.

33. The Story of Maha by Sumayya Lee
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After her parents are killed during a political rally, Maha goes to live with her Indian grandparents. She learns how to wind around the strict boundaries of her Muslim community as she develops into a rebellious teenager. Book is set in a South African Indian Muslim community, and features an Indian MC.

34. Alif the Unseen by G Willow Wilson 
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In the Middle East, a young Arab-Indian hacker by the alias of Alif shields his clients from surveillance groups and tries to stay out of trouble. But when the woman he loves begins courting the head of the state's security, Alif's computer is compromised and he flees underground for his own, and his client's, safety. A POC MC and features Islam in a positive light, also showcasing some Islamic myths and folklore.

35. The Moor's Account by Laila Lalami
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An alternative history account of the Narvaez expedition which would leave only four survivors, one of which was Mustafa al-Zamori, a Moroccan slave and the first black explorer of America. POC MC and written by a Moroccan author.


36. The Unintentional Time Traveler by Everett Maroon
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Jack agrees to try an experimental clinical trial to cure his epilepsy, but instead finds himself in the body of a girl--Jacqueline-- from 1920s era. Disability rep, as well as tackles identity and how much our gender affects who we are.

37. Homegoing by Yaa Gyasi 
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Effia and Esi, sisters born in separate villages, end up leading very different lives. While Effia is married to a slaver and lives in luxury, Esi works as a slave in the palace dungeon beneath her, before being shipped off as a slave to America. This novel follows the sisters' descendants 300 years and illustrates how slavery and colonialism shaped America and Ghana. The author was born in Ghana as well.

38. Does My Head Look Big in This by Randa Abdel-Fattah
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Everyone has a reaction when Amal decides to wear the hijab full-time. Dodging prejudice and fending questions from her friends and teachers, she still intends to attract the cutest boy at school. Islam rep! Also, love how it tackles stereotypes and misconceptions.
39. Girl Mans Up by M-e Girard 

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All Pen wants is to be the kind of girl she wants to be, but for some reason everyone thinks the way she looks and acts means she wants to be a boy. Portuguese MC, lesbian MC, and tackles a lot about gender identity. I can't wait to read this one!

40. If I Was Your Girl by Meredith Russo 
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Amanda transferred schools to get a new life, but when she begins to fall for Grant, she fears how he'll react when he learns of her past... and that her name used to be Andrew. Trans rep!! Also, #ownvoices

41. Songs that Sound Like Blood by Jared Thomas 
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Roxy heads to the big city for a new start and to study music. Singing for her dinner is soul crushing, but her newfound crush on Ana might make it worth it. Indigenous and Maori MCs, as well as a lesbian romance.

42. On The Edge of Gone by Corrine Duyvis 
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Denise, her mother, and her sister are supposed to head for a shelter to wait out an incoming comet blast. On the way they encounter a generation ship leaving to colonize new worlds, but all passengers must have a skill to contribute, and Denise fears her autism may hold them back. Very diverse cast with half-black autistic MC, lesbian, Muslim, bisexual trans, and Jewish characters, to name a few.

43. Sister Mine by Nalo Hopkinson 
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Conjoined twins Abby and Makeda were separated by surgery that left Abby with a limp and Makeda cut off from the magic her sister possesses. Makeda moves on to start a new life of her own, but she must reconcile with her sister after her father disappears in order to save him. Urban fantasy with Caribbean mythology written by a Caribbean author.

44. All We Have Left by Wendy Mills
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Jesse finds herself caught up in the wrong crowd after her brother passes away in the September 11 attacks, and one momentary hate-filled decision turns her life upside down. Alia is a proud Muslim who finds herself in the Two Towers when the plane hits. Trapped inside the burning building, Alia meets a boy who changes her life. An authentic Muslim character, and presents the hatred and prejudice that Muslims have faced since 9/11.
45. Throne of the Crescent Moon by Saladin Ahmed 
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In the midst of a brewing rebellion, supernatural murders cause unrest through the Crescent Moon Kingdoms. Doctor Adoulla Makhslood, “the last real ghul hunter in the great city of Dhamsawaat,” his young assistant, and a woman with the power of the lion-shape set out to learn the truth behind the killings.  Set in the Middle East during the Islamic Golden Age.

46. George by Alex Gino  
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When people look at George, they see a boy, but she knows she's a girl. She just has to find a way to show everyone else that, too. Middle grade book featuring a trans MC! A must have!

47. Labyrinth Lost by Zoraida Cordova 
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Alex is a bruja, one of the most powerful witches in her generation, and hates it. While attempting a spell to rid herself of her powers, it backfires and her family vanishes, and she must travel to Los Lagos, an in-between land, to save them. Latinx culture and folklore, cast of POC characters, and an #ownvoices book featuring a writer born in Ecuador.

48. Radio Silence by Alice Oseman 
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Frances has always been a study machine with one goal-- elite university. But when she meets Aled, the shy boy behind her favourite podcast, he reveals a side to Frances that she thought she'd locked away. Bisexual and biracial MC!

49. Behold the Dreamers by Imbolo Mbue
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Jende has come to America to provide a better life for his family, and can't believe his luck ending up as a chauffeur for the Lehman Brothers. But the cracks in the American dream begin to show when the company goes under. Featuring the Jonga family, who are West African, and features the immigrant struggle as they struggle to become citizens.

50. It Ain't So Awful, Falafel by Firoozeh Dumas
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Zomorod is the new kid on the block, for the fourth time. With a new school, she plans to change her name to Cindy to fit in. But it's the mid-70s, and Iran is making headlines with protests, revolution, and hostage takings, and the anti-Iran sentiments are making it difficult to feel at home in her own country. Featuring an Iranian MC and examines prejudice through a middle grade lens.