Showing posts with label audrey greathouse. Show all posts
Showing posts with label audrey greathouse. Show all posts

Saturday, February 25, 2017

The Piper's Price Teaser and Giveaway!


Hello all you Underground fans! Today I'm excited to take part in a Book Blitz hosted by Express Book Club in honor of Audrey Greathouse's release of her sequel to the Neverland Wars series, The Piper's Price! I had the chance to read and review this book before its release, and you can find my review for it here. I also had the chance to interview Audrey a few months back, which you can find here.  Otherwise, check out the excerpt below and enter for a chance to win a copy of The Piper's Price!

The Piper’s Price
Audrey Greathouse

(The Neverland Wars #2)
Published by: Clean Reads Publishing
Genres: Fairy Tales, Retelling, Young Adult
Peter is plotting his retaliation against the latest bombing. Neverland needs an army, and Peter Pan is certain children will join him once they know what is at stake. The lost boys and girls are planning an invasion in suburbia to recruit, but in order to deliver their message, they will need the help of an old and dangerous associate—the infamous Pied Piper.
Hunting him down will require a spy in in the real world, and Gwen soon finds herself in charge of locating the Piper and cutting an uncertain deal with him. She isn’t sure if Peter trusts her that much, or if he’s just trying to keep her away from him in Neverland. Are they friends, or just allies? But Peter might not even matter now that she’s nearly home and meeting with Jay again.
The Piper isn’t the only one hiding from the adults’ war on magic though, and when Gwen goes back to reality, she’ll have to confront one of Peter’s oldest friends… and one of his earliest enemies.
EXCERPT:
They found the forest’s hiking trail moments before breaking the tree line. “Where are we going, Peter?” He was heading toward a mobile home community next to the state park.
He continued to walk with confidence. His usual cocky stride looked surprisingly like the swagger of an ordinary teenage boy. “My friend lives here. Don’t worry. Don’t look like such a stranger here.”
She didn’t want to appear conspicuous, but Gwen was too baffled to help it. The unkempt lawns were boxed in by chain-link fences covered in varying degrees of rust. They passed a lawn littered with bicycles; on the other side of the gravel street, two different cars were parked on the lawn, clearly non-functional. Satellite dishes were on every trailer home. Despite all being painted differently, the track housing still managed to present a uniformity of depressing color.
Multiple houses had motorcycles out front or a dog milling around their yard. When she and Peter passed a pack of Rottweilers, the dogs ran up to the fence and began snarling until all the other dogs in the neighborhood were barking too. “Ignore it,” Peter advised her.
She was scared. This was not the sort of place she ever expected to visit with Peter. She didn’t trust his ability to protect her here. This wasn’t his world, but it wasn’t hers either. They were both out of their element. Peter just didn’t have the sense to realize it.
Winding down the gravel road, Gwen matched Peter’s pace almost step for step. They approached a blue-and-grey house. Like the others, it had wooden latticework around the bottom to help obscure the fact it didn’t have a foundation in the ground. The square house reminded Gwen of how she would take shoeboxes and try to turn them into homes for her dolls by decorating them. It was hard to fathom that she was walking up the plastic steps of the porch to knock on the door.
She waited, feeling her heartbeat in her throat, her toes, and everywhere besides her chest. Even the predictable noise of the door opening startled her.
A woman with a long, black braid and beige cardigan stood in the doorway. Gwen looked up at her, and then watched as the sharp features of her dark face dissolved into unadulterated shock.
“Peter?”
The startled woman ushered them in. She was just as uncomfortable with their presence in the trailer park as Gwen. Once inside, they stood in a living room full of old furniture, facing a kitchen with old electric appliances. There was no unity or romance to the orange recliner, chipped mixing bowl, off-white blender, dull toaster, and sunken couch. It was a bunch of old stuff that looked like it represented several decades of objects abandoned at Goodwill. The chingadera and bric-a-brac wasn’t any more cohesive: porcelain angles, an antique pot, a vase full of bird feathers, and a stopped clock made the place confusing and strange in the same way her grandmother’s house had been.
“What are you doing here?” she hissed, pulling her cardigan close and tossing her thick braid over her shoulder and out of her way. She had a shapeless housedress underneath the beige sweater, and a pair of black leggings insulating her legs as she stomped around, heavy-footed in her leather slippers. She looked comfortable, except for the unexpected guests who were putting her so ill at ease. “You shouldn’t be here.”
“I need your help,” Peter said.
“They’re still keeping tabs on me.”
“That’s why I came in disguise.”
“You’re being irresponsible. You’re jeopardizing us both, and Neverland to boot.”
“I took all the right precautions. This is important.” Hollyhock and Foxglove wrestled their way out of the pixie purse and came twinkling out now that they knew they were safely inside.
“You brought fairies here?” she exclaimed. She leaned down and grabbed a hold of his arm, forcing him to look her dead in her dark eyes. Gwen wanted to leave. This wasn’t a friend, not anymore. This was a grown-up, and unlike Antoine the aviator, she was not amused with Peter’s wartime antics.
“What happens if they figure it out and come to question me?”
Peter scoffed. “You won’t tell them.”
“What if they threaten to arrest me? They could put me away forever until I told them what they needed to know, and nobody here would stop them.”
Peter broke free of her hold with ease; she wasn’t actually trying to restrain him. “Preposterous,” he declared. “If they did that, you would sit, stone-faced and silent in your cell until they all died.”
“What if they beat me?”
“You’d take the blows as though you were made of rock, and you would not speak.” Peter seemed to disregard the question.
“What if they tortured me and stuck blades under my nails?” she demanded.
“Then you would not even scream, but stay silent as a stone!” Peter insisted, hopping up onto a wooden kitchen chair at her dining table, looking down at the woman.
“What if they bring knives and cut off my fingers, one at a time, until I told them how to find you?”
Peter yelled right back, “Then you would steal their knives and scalp them all like the redskin princess you are!”
Her anger slunk off her face and out of her shoulders. She shook her head, frowning as a sad laugh escaped her. She clung to her sweater, blinking back tears, until, at last, she flung her arms around Peter. Still on the chair, he had to bend down to return the embrace.
“Oh, Peter,” she muttered, unaware of the tears slipping off her smiling face. “Oh, Peter.”
“It’s good to see you, Tiger Lily.”




Author Bio:
Audrey Greathouse is a lost child in a perpetual and footloose quest for her own post-adolescent Neverland. Originally from Seattle, she earned her English B.A. from Southern New Hampshire University's online program while backpacking around the west coast and pretending to be a student at Stanford. A pianist, circus artist, fire-eater, street mime, swing dancer, and novelist, Audrey wears many hats wherever she is. She has grand hopes for the future which include publishing more books and owning a crockpot. You can find her at audreygreathouse.com.


Friday, February 24, 2017

Book Review: The Piper's Price


Book Review: The Piper's Price by Audrey Greathouse 


Goodreads Description: Peter is plotting his retaliation against the latest bombing. Neverland needs an army, and Peter Pan is certain children will join him once they know what is at stake. The lost boys and girls are planning an invasion in suburbia to recruit, but in order to deliver their message, they will need the help of an old and dangerous associate—the infamous Pied Piper.

Hunting him down will require a spy in in the real world, and Gwen soon finds herself in charge of locating the Piper and cutting an uncertain deal with him. She isn't sure if Peter trusts her that much, or if he's just trying to keep her away from him in Neverland. Are they friends, or just allies? But Peter might not even matter now that she's nearly home and meeting with Jay again.

The Piper isn't the only one hiding from the adults' war on magic though, and when Gwen goes back to reality, she'll have to confront one of Peter's oldest friends… and one of his earliest enemies.


Book Review:  I was given an e-copy of the Piper's Price by the author in exchange for an honest review.

The Piper's Price is the second book in the Neverland Wars series. It picks up a few months after the end of the first book, where Gwen and her sister, Rosemary, fled reality and the black coats of the Anomalous Activity Department, who intend to strip down Neverland's magic and use it for their own purposes. In order for Peter to recruit an army of children to protect Neverland, Gwen must return to reality to hunt down tokens to summon the infamous Pied Piper. But when the Piper does show up, the cost of his cooperation might be more than Gwen can handle.

Aw, yeah, guys. This book is the prime example of a sequel ending up better than the first book. The plot was a smash hit and integrated many elements from the first book very nicely, from Gwen's mysterious childhood memory to the mermaid's scale. I was delighted to see how all these elements came together, and makes me excited to see how future things will come into play, such as the mermaids finally getting their "sky glass"/mirror. The relationships in this installment were much deeper and more heartfelt. I particularly enjoyed the friendship between Gwen and Lasiandra, as it is always nice to see authors explore female friendships in YA, even if one of the girls is a mermaid.

The plot in this book was much more engaging than the previous installment, in my opinion, as there was more clarity to Gwen's mission and circumstances. Despite that, I feel like the tension could have been improved by outlining the stakes a bit more. We have a vague idea that Neverland will be bombed and stripped of magic, but it would be nice to see the concrete consequences if Gwen were to fail. (e.g., if they're not able to recruit the Piper by X date, the black coats will invade.) In addition, I feel the tension suffered because the bad guys didn't come across as big and bad. They had access to powerful magic-fueled technology (like ability to track flight and suppress all magic in an area) yet hardly utilized it to its full effectiveness. They come across as bumbling and incompetent more than usual, which dulled the kids' victories over them. The pirate appearance ended up feeling more threatening than this entire magic suppression agency, because he came after Peter and Gwen with everything he had.

The characters development was well-done for Gwen. I really liked seeing her struggles with doubts, and her flipping between two worlds-- adult and childhood. She perfectly straddles that inner conflict that many teenagers face where they don't feel as though they belong in either world. I especially liked that the book delved further into the relationships between characters, particularly between Gwen and Jay vs Gwen and Peter. The latter relationship is not romantic but has fleeting hints that there might be. However, Peter's stunted character makes it difficult to determine where it will go. He is presented as a "larger than life" figure, but he often comes across as one dimensional because we only see one facet of his personality-- pretty much the stereotype of Peter Pan. I understand the effect that was going for, but as other "fictional" characters come across with more personality, I'd feel like he could have a greater effect if we saw other sides to him as well.

There was a bit of conflicting world building which I felt could have been improved through some more explanation. It was difficult for me as a reader to understand how the world worked as things often flip-flopped in their usage, Like, the raven tree eggs at the beginning of the book were being used as a food, then later were being used as a weapon. There was a host of "fictional" characters that had immigrated to reality, but it's never specified who's who. There were some minor hints, and maybe I'm just dense, but as this is a book for kids, spelling it out in this case is probably best. As Gwen would recognize these figures from movies and storybooks (as the princesses mention Disney at one point) I can’t see why she wouldn’t be making comparisons in her mind between the reality versions and what the fiction depicted them as.

Delving a little deeper would also help with the whole "reality vs fiction" representation of Native Americans. It touches a little deeper on it in this book by showing Tiger Lily living in reality as a Native American as opposed to a redskin, which I think is important. I'm not Native American, so I can't speak to the representation, but I will say I'm glad the redskins and Native Americans are shown to be two separate entities.

Aside from all the criticisms, I really enjoyed reading this book. It was such a fun mission-based story that gave Gwen a lot of autonomy and strength. She wasn't just another kid in Neverland; she was one of the only lost children smart and strong enough to take on this mission for Peter. The romance as well between her and Jay was so light and beautiful, especially in the way the two accepted the realities of their situation. Gwen often reminds herself that this is a crush, not a True Love situation, which lets the romance grow naturally. By the time they get to the L word, it feels organic to their situation despite their time apart. Because most of the story takes place in reality, it has a definite urban fantasy feel to it that really made the whole thing charming. I would recommend this book for readers on the younger end of the YA scale, perhaps those transitioning from MG to YA.

TL;DR: 3.5/5 stars. A kick ass sequel that beautifully tied elements together and led by an awesome heroine juggling her life between two worlds.



Tuesday, August 23, 2016

Author Interview with Audrey Greathouse + Cover Reveal!


It is with great pleasure that I would like to welcome Audrey Greathouse, author of The Neverland Wars, to the Underground! Audrey writes mostly science fiction and fantasy, but has published some of her poetry on ezines. She is currently working with her publisher, Clean Teen Publishing, on releasing the sequel to The Neverland Wars.


1) Since the Neverland Wars released, you’ve received such a wonderful response from the young adult blogging community. What has been your favorite response from readers so far?

I would say my favorite response is “me too.” Gwen is resonating with a lot of teenagers, and many of them are contacting me to say they relate to her. Adult readers are loving The Neverland Wars, too, but I feel like that's an audience who has often already figured out how to deal with the problems Gwen faces in her head. Knowing that teenagers who are actively dealing with the issue of growing up are connecting with this story is the best feeling. One girl got in touch with me and wrote, “Thank you for reminding me that even though I am 17, I am not grown up yet and I can still enjoy being a kid!” I couldn't have asked for a better response.


2) Do you have any tips/“secrets” for other authors when it comes to marketing yourself and your book?

It won't come as any surprise to you, but book bloggers are the lynch pin of my marketing plan. Lots of aspiring authors aren't even aware of this community, or how much of an impact book bloggers have on a book. I haven't done any paid ads for The Neverland Wars and neither has my publisher, and yet the book is in Barnes and Nobles everywhere from Pensacola to Manhattan... and selling! I think, from a marketing perspective, a review on the right book blog is worth more than an editorial review these days.

I don't really invest in the “author brand” idea, and I'm not really trying to find “fans.” I wrote The Neverland Wars because I had a feeling I didn't see anyone else struggling with while growing up. My goal is to find other people who share that feeling. I'm looking for everyone who can say “me too, and—” I want to find other creative people to collaborate and discuss life with. Ultimately, I want The Neverland Wars to bring new and exciting people into my life, not just bring my words into other people's bookshelves.


3) Are you a planner or a pantser when it comes to writing? Do you like to outline or prefer to let the story reveal itself?

Definitely a planner. I love outlining and I nurse story ideas for months or years before I even start drafting them. I like to see which story ideas are going to “stick” with me. Once I realize that I'm never going to stop thinking about this story until I've written the book, that's when I know I have a great idea that really will work as a novel. The amazing thing is that no matter how long I wait or how much I outline, the writing process is always full of surprises. Writers may be planners, but characters are always pansters, and they can hijack the storyline in a million different ways before I get to the ending I have in mind. Writing a good novel is a lot like taking a good roadtrip. You have a destination in mind and lots of landmarks you want to see along the way, but the exact roads and stops you take to get there will naturally come with a few surprises.


4) As well as writing novels, you’ve written and published your poetry as well. What would you say are the pros and cons to writing novels vs poetry?

Believe it or not, I think novels are easier! My favorite aspect of writing is the narrative and characters, which are two elements poetry captures only minimally. I love sharing my characters with people, and while I might write a poem about a person, the reader doesn't walk away with as detailed an image of that person or their story as I could give them in fiction. I think most young adult readers feel that way too...which is why they seek out so little poetry. I probably only really got into poetry because I wasn't musically competent enough to write songs. I love rhyme and meter and form poetry... all the things that are woefully out of fashion in this post-modern world. The best thing about poetry is how quickly you can pound out a draft and get a sense of catharsis though. I like being able to sit down with a feeling and an hour and a few verses later know that I managed to put it to words.


5) What would you say are the differences between publishing poetry and publishing a novel?

Most notably, the pay. There's a lot of commercial fiction in the world, not so much commercial poetry. Like short stories, poems are usually sold to literary magazines and that is a whole other world from book publishing. Literary magazines are changing just as much with the event of ebooks and the internet, however, and my experiences with online 'zines have been fantastic. I've worked with other writers I never would have known about in my own hometown and editors as far away as India, Australia, and England. The internet is breaking down barriers, and the sort of people who publish poetry are really in it for the joy of the art. There's aspects of that passion which I really miss now that I'm working for a publisher that is actively trying grow and turn a larger profit than last quarter.

Swing by Twitter tomorrow for a Q&A with Audrey! 

6) What would you say is your highest hope for The Neverland Wars? What would be your ultimate “dream come true” moment?

I suppose most writers would say when it gets a movie deal or hits bestseller status... but I feel like my dreams go beyond that. The mental image that question triggers for me is sitting down at a bar with Neil Gaiman and talking to him about it, and all sorts of other stories we're both reading and writing. There are a lot of fantastic artists who have inspired and evoked that “me too” feeling from me, and really I have this strange hope that someday my art will be a high enough caliber that these people with such wonderfully refined and strange aesthetic tastes can enjoy it. I'd really like to give a story back to all the people who have given me my favorite stories over the years.


7) What has been the hardest part of your publishing journey?

You know, I think I would have to say everything that happened after I signed the contract and before I saw the first sales figures. As tiring as the writing, revising, and getting rejected was, I felt super confident in it because Me, Myself, and I were going to get through it. I had a soul-deep, unshakable faith in myself. As soon as I got a book deal, suddenly there were all these other people involved! Of all the creative pursuits, I think I was drawn to writing because it is so solitary. Learning how to work with others and to trust others with my art was definitely challenging for me. It was only about a month ago when I saw stores selling out of the book and looked at the data my publisher had that I realized, “It's okay. People are getting the book. Everything's working.”


8) How did NaNoWriMo help you as a writer?

It prevented the number one thing that keeps potential writers from getting published—giving up before they've even finished a draft. Writing is a lot like walking a tight rope for the first few hundred thousand words. You can't look down and realize how bad your writing is or you'll be paralyzed by that realization. You just have to keep going and know that it will get better... that you will get better. NaNoWriMo has forced me to draft eight novels now, and I grew more as a writer with each of those. A lot of them will never be published, but they were still invaluable because I learned so much in the process. The Neverland Wars was a NaNoWriMo novel, the sequel was last year's NaNoWriMo project, and you can rest assured I'm looking forward to November to draft a final installment in this trilogy!

9) Why write science fiction and fantasy? What about the genres appeals to you most?

I've always thought that science was in charge of showing us what life is, and art is charge of showing us how life feels. In reality, life behaves by a pretty universal set of physical principles, but it doesn't always feel that way. Sometimes it feels like you have an ocean inside of you, or it feels like you actually could fly. They say that you shouldn't let the facts get in the way of a good story, so when I wrote The Neverland Wars, I didn't let silly things like gravity or mortality get in the way of telling the story of what it is like to grow up in this world.


10) Is there anything you can tell us about the sequel to the Neverland Wars? Any sneak peaks
or secrets you can share?

The Piper's Price has a lot more of Jay in it, and a lot more adult characters. Peter wants to retaliate against reality, and in the process, Gwen ends up meeting a lot of people on the other side of this fight and getting a peak into their motives and rational. I really love working with Gwen because she embodies a lot of the neutrality and unwillingness to commit that you experience in your teen years. She also spends more time away from Rosemary, under both favorable and unfavorable circumstances, so it is great to get that look into how she behaves when she doesn't have her little sister in tow. Gwen is much more on her own in this book, which gives her a chance to grow as a person, and give more thought to whether or not she actually wants to grow up.


Check out Audrey's Q&A tomorrow on Twitter. She'll be stopping by to answer questions about the upcoming sequel to The Neverland Wars, The Piper's Price. Here's the blurb for the book for those 

Peter is plotting his retaliation against the latest bombing. Neverland needs an army, and Peter Pan is certain children will join him once they know what is at stake. The lost boys and girls are planning an invasion in suburbia to recruit, but in order to deliver their message, they will need the help of an old and dangerous associate—the infamous Pied Piper. 
Hunting him down will require a spy in in the real world, and Gwen soon finds herself in charge of locating the Piper and cutting an uncertain deal with him. She isn’t sure if Peter trusts her that much, or if he’s just trying to keep her away from him in Neverland. Are they friends, or just allies? But Peter might not even matter now that she's nearly home and meeting with Jay again. 
The Piper isn't the only one hiding from the adults' war on magic though, and when Gwen goes back to reality, she'll have to confront one of Peter's oldest friends… and one of his earliest enemies.

You can also visit Audrey at her website:  https://audreygreathouse.com/

Author Interview with Audrey Greathouse + Cover Reveal!


It is with great pleasure that I would like to welcome Audrey Greathouse, author of The Neverland Wars, to the Underground! Audrey writes mostly science fiction and fantasy, but has published some of her poetry on ezines. She is currently working with her publisher, Clean Teen Publishing, on releasing the sequel to The Neverland Wars.


1) Since the Neverland Wars released, you’ve received such a wonderful response from the young adult blogging community. What has been your favorite response from readers so far?

I would say my favorite response is “me too.” Gwen is resonating with a lot of teenagers, and many of them are contacting me to say they relate to her. Adult readers are loving The Neverland Wars, too, but I feel like that's an audience who has often already figured out how to deal with the problems Gwen faces in her head. Knowing that teenagers who are actively dealing with the issue of growing up are connecting with this story is the best feeling. One girl got in touch with me and wrote, “Thank you for reminding me that even though I am 17, I am not grown up yet and I can still enjoy being a kid!” I couldn't have asked for a better response.


2) Do you have any tips/“secrets” for other authors when it comes to marketing yourself and your book?

It won't come as any surprise to you, but book bloggers are the lynch pin of my marketing plan. Lots of aspiring authors aren't even aware of this community, or how much of an impact book bloggers have on a book. I haven't done any paid ads for The Neverland Wars and neither has my publisher, and yet the book is in Barnes and Nobles everywhere from Pensacola to Manhattan... and selling! I think, from a marketing perspective, a review on the right book blog is worth more than an editorial review these days.

I don't really invest in the “author brand” idea, and I'm not really trying to find “fans.” I wrote The Neverland Wars because I had a feeling I didn't see anyone else struggling with while growing up. My goal is to find other people who share that feeling. I'm looking for everyone who can say “me too, and—” I want to find other creative people to collaborate and discuss life with. Ultimately, I want The Neverland Wars to bring new and exciting people into my life, not just bring my words into other people's bookshelves.


3) Are you a planner or a pantser when it comes to writing? Do you like to outline or prefer to let the story reveal itself?

Definitely a planner. I love outlining and I nurse story ideas for months or years before I even start drafting them. I like to see which story ideas are going to “stick” with me. Once I realize that I'm never going to stop thinking about this story until I've written the book, that's when I know I have a great idea that really will work as a novel. The amazing thing is that no matter how long I wait or how much I outline, the writing process is always full of surprises. Writers may be planners, but characters are always pansters, and they can hijack the storyline in a million different ways before I get to the ending I have in mind. Writing a good novel is a lot like taking a good roadtrip. You have a destination in mind and lots of landmarks you want to see along the way, but the exact roads and stops you take to get there will naturally come with a few surprises.


4) As well as writing novels, you’ve written and published your poetry as well. What would you say are the pros and cons to writing novels vs poetry?

Believe it or not, I think novels are easier! My favorite aspect of writing is the narrative and characters, which are two elements poetry captures only minimally. I love sharing my characters with people, and while I might write a poem about a person, the reader doesn't walk away with as detailed an image of that person or their story as I could give them in fiction. I think most young adult readers feel that way too...which is why they seek out so little poetry. I probably only really got into poetry because I wasn't musically competent enough to write songs. I love rhyme and meter and form poetry... all the things that are woefully out of fashion in this post-modern world. The best thing about poetry is how quickly you can pound out a draft and get a sense of catharsis though. I like being able to sit down with a feeling and an hour and a few verses later know that I managed to put it to words.


5) What would you say are the differences between publishing poetry and publishing a novel?

Most notably, the pay. There's a lot of commercial fiction in the world, not so much commercial poetry. Like short stories, poems are usually sold to literary magazines and that is a whole other world from book publishing. Literary magazines are changing just as much with the event of ebooks and the internet, however, and my experiences with online 'zines have been fantastic. I've worked with other writers I never would have known about in my own hometown and editors as far away as India, Australia, and England. The internet is breaking down barriers, and the sort of people who publish poetry are really in it for the joy of the art. There's aspects of that passion which I really miss now that I'm working for a publisher that is actively trying grow and turn a larger profit than last quarter.


Swing by Twitter tomorrow for a Q&A with Audrey! 

6) What would you say is your highest hope for The Neverland Wars? What would be your ultimate “dream come true” moment?

I suppose most writers would say when it gets a movie deal or hits bestseller status... but I feel like my dreams go beyond that. The mental image that question triggers for me is sitting down at a bar with Neil Gaiman and talking to him about it, and all sorts of other stories we're both reading and writing. There are a lot of fantastic artists who have inspired and evoked that “me too” feeling from me, and really I have this strange hope that someday my art will be a high enough caliber that these people with such wonderfully refined and strange aesthetic tastes can enjoy it. I'd really like to give a story back to all the people who have given me my favorite stories over the years.


7) What has been the hardest part of your publishing journey?

You know, I think I would have to say everything that happened after I signed the contract and before I saw the first sales figures. As tiring as the writing, revising, and getting rejected was, I felt super confident in it because Me, Myself, and I were going to get through it. I had a soul-deep, unshakable faith in myself. As soon as I got a book deal, suddenly there were all these other people involved! Of all the creative pursuits, I think I was drawn to writing because it is so solitary. Learning how to work with others and to trust others with my art was definitely challenging for me. It was only about a month ago when I saw stores selling out of the book and looked at the data my publisher had that I realized, “It's okay. People are getting the book. Everything's working.”


8) How did NaNoWriMo help you as a writer?

It prevented the number one thing that keeps potential writers from getting published—giving up before they've even finished a draft. Writing is a lot like walking a tight rope for the first few hundred thousand words. You can't look down and realize how bad your writing is or you'll be paralyzed by that realization. You just have to keep going and know that it will get better... that you will get better. NaNoWriMo has forced me to draft eight novels now, and I grew more as a writer with each of those. A lot of them will never be published, but they were still invaluable because I learned so much in the process. The Neverland Wars was a NaNoWriMo novel, the sequel was last year's NaNoWriMo project, and you can rest assured I'm looking forward to November to draft a final installment in this trilogy!

9) Why write science fiction and fantasy? What about the genres appeals to you most?

I've always thought that science was in charge of showing us what life is, and art is charge of showing us how life feels. In reality, life behaves by a pretty universal set of physical principles, but it doesn't always feel that way. Sometimes it feels like you have an ocean inside of you, or it feels like you actually could fly. They say that you shouldn't let the facts get in the way of a good story, so when I wrote The Neverland Wars, I didn't let silly things like gravity or mortality get in the way of telling the story of what it is like to grow up in this world.


10) Is there anything you can tell us about the sequel to the Neverland Wars? Any sneak peaks
or secrets you can share?

The Piper's Price has a lot more of Jay in it, and a lot more adult characters. Peter wants to retaliate against reality, and in the process, Gwen ends up meeting a lot of people on the other side of this fight and getting a peak into their motives and rational. I really love working with Gwen because she embodies a lot of the neutrality and unwillingness to commit that you experience in your teen years. She also spends more time away from Rosemary, under both favorable and unfavorable circumstances, so it is great to get that look into how she behaves when she doesn't have her little sister in tow. Gwen is much more on her own in this book, which gives her a chance to grow as a person, and give more thought to whether or not she actually wants to grow up.


Check out Audrey's Q&A tomorrow on Twitter. She'll be stopping by to answer questions about the upcoming sequel to The Neverland Wars, The Piper's Price. Here's the blurb for the book:

Peter is plotting his retaliation against the latest bombing. Neverland needs an army, and Peter Pan is certain children will join him once they know what is at stake. The lost boys and girls are planning an invasion in suburbia to recruit, but in order to deliver their message, they will need the help of an old and dangerous associate—the infamous Pied Piper. 
Hunting him down will require a spy in in the real world, and Gwen soon finds herself in charge of locating the Piper and cutting an uncertain deal with him. She isn’t sure if Peter trusts her that much, or if he’s just trying to keep her away from him in Neverland. Are they friends, or just allies? But Peter might not even matter now that she's nearly home and meeting with Jay again. 
The Piper isn't the only one hiding from the adults' war on magic though, and when Gwen goes back to reality, she'll have to confront one of Peter's oldest friends… and one of his earliest enemies.

You can also visit Audrey at her website:  https://audreygreathouse.com/

Thursday, March 31, 2016

Book Review: The Neverland Wars


Book Review: The Neverland Wars by Audrey Greathouse 

Goodreads Description: Magic can do a lot—give you flight, show you mermaids, help you taste the stars, and… solve the budget crisis? That's what the grown-ups will do with it if they ever make it to Neverland to steal its magic and bring their children home.

However, Gwen doesn't know this. She's just a sixteen-year-old girl with a place on the debate team and a powerful crush on Jay, the soon-to-be homecoming king. She doesn't know her little sister could actually run away with Peter Pan, or that she might have to chase after her to bring her home safe. Gwen will find out though—and when she does, she'll discover she's in the middle of a looming war between Neverland and reality.

She'll be out of place as a teenager in Neverland, but she won't be the only one. Peter Pan's constant treks back to the mainland have slowly aged him into adolescence as well. Soon, Gwen will have to decide whether she's going to join impish, playful Peter in his fight for eternal youth… or if she's going to scramble back to reality in time for the homecoming dance.


My Review: I received a review copy of The Neverland Wars from the author, Audrey Greathouse, in exchange for an honest review.

The Neverland Wars is a whimsical tale that takes us to the forests of Neverland in a familiar and yet entirely new way. 16-year-old Gwen chases after her younger sister when Peter Pan shows up at their bedroom window and offers to whisk them away. Gwen insists she's going to protect her sister, in order to bring her home, but soon finds herself swept up in the magic and wonder of Neverland. And who can blame her? The author creates such a peaceful and serene place that it felt like escape just reading about it. It brought back all that I loved about Peter Pan as a child. Through this world, the author explores the themes of what it means to grow up. I really liked the contrast between reality and 'Neverland,' though by the end it hints there might be more fictional characters brought to life, turning the Neverland Wars into the war between reality and story. There are so many exciting possibilities there, and definitely a strong point for the series. But only future books will tell how those ideas will be explored.

Gwen is at a transitional period in her life as a teenager, and the author does a great job illustrating her discomfort, both back in 'reality' and in Neverland. She isn't really a lost child, nor is she an adult, and she feels torn between both worlds, which was a nice conflict. All in all, Gwen's character was great. Right off the bat I felt connected to Gwen because of how she looked at the world. Sure, arguably she has a very mature way of looking at things for a teenager, but as I was exactly the same way at 16, it's hard to cite that as a fault. Rather that endeared me to Gwen's character and made me want to see more of her perspective. I wished I could've gotten a bit more of Gwen's inner monologue, since her character gets a bit eclipsed by the events going on. It would be nice to see more of her thoughts and personality mixed in with the action.

Gwen's maturity aside, I found the writing style in this book rather verbose. The narration itself was a bit mature and didn't have the same tone as a lot of other YA books out there, though this isn't a bad thing. I'm vehemently against 'dumbing' down books for kids, and it's nice to see a YA novel that sells it straight to the audience.

The only things that took away from the story was the shifting POV and a lack of stakes. It seems like an 'omniscient' POV was used for this book, and while I'll admit there are books out there who manage it, it is an extremely difficult POV to do well. It takes away from my experience as a reader, as I never know when we're going to shift into someone else's head and see what's going on with them. Though I wasn't lost by shifting heads, it still took me out of the story and kept distance between me and the characters. I wanted to be all in Gwen's head, not partly in everyone's, because this is Gwen's story. Plus, it takes away the mystery when the narrator informs me what certain characters are thinking or what's motivating them, while our main character never has the opportunity (or it isn't shown) to learn that information. It creates distance when the reader and the main character are on different pages.

As well, I had a problem with the lack of stakes, which contributed to an overall lack of tension. Though there were heavily implied stakes of what would happen if Gwen couldn't bring her sister home, of what would happen to Neverland if the adults found their way to it, etc., but it was at times too thin. You need to outline what's at risk, what could be lost, otherwise there's no tension and 'edge of your seat' moment. If there are no consequences to your characters losing their mission, then what does it matter if they win, either?

Despite that, the ending really left me feeling light. I promise, no spoilers; the sudden ending kinda jarred me, but only because it took a moment for it to settle what the ending had implied, what Gwen's decision had been. It left me with a glowing smile and that soft happy ending feel. And as much as there are a lot of unanswered questions left, there was something really satisfying about that ending.


TL;DR: All in all, 3/5 stars. Such a lovely, whimsical tale. Made my heart happy.